But hark, what sound is it which falls upon his ear, making him quake
with fear, and, in spite of his aching ankle, creep farther behind the
hay! It is a footstep—a light, tripping step, and it comes that way,
nearer, nearer, until a shadow falls between the open chinks and the
bright sunshine without. Then it moves on, round the corner, pausing for
a moment, while the hidden coward holds his breath and listens
anxiously, hoping nothing is coming there. But there is, and it enters
the same door through which he came the previous night—a girlish figure,
with a basket on its arm—a basket in which she puts the eggs she knew
just where to find. Not behind the hay, where a poor wretch was almost
dead with terror. There was no nest there, and so she failed to see the
ghastly face, pinched with hunger and pain, the glassy eyes, the
uncombed hair, and soiled, tattered garments of him who once was known
as one of fashion’s most fastidious dandies.
She had secured her eggs for the morning meal, and the doctor hoped she
was about to leave, when there was a rustling of the hay, and he almost
uttered a scream of fear. But the sound died on his lips, as he heard
the voice of prayer—heard that young girl as she prayed, and the words
she uttered, stopped, for an instant, the pulsation of his heart, and
partly took his senses away. First for her baby-boy she prayed, asking
that God would be to him father and mother both, and keep him from
temptation. Then for her _country_; and the doctor, listening to her,
knew it was no Rebel tongue calling so earnestly on God to save the
Union, praying so touchingly for the poor, suffering soldiers, and
coming at last to him, the miserable outcast, whose bloodshot eyes grew
blind, and whose brain grew giddy and wild, as he heard again _Lily’s
voice_, pleading for _George_, wherever he might be. She did not say,
“God send him back to me, who loves him still.” She only asked
forgiveness for the father of her boy, but this was proof to the
listener that she did not hate him, and forgetful of his pain he raised
himself upon his elbow, and looking over the pile of hay, saw her where
she knelt, Lily,—Adah,—his wife, her fair face covered by her hands, and
her soft, brown hair cut short, and curling in her neck.
Twice he essayed to speak, but his tongue refused to move, and he sunk
back exhausted, just as Adah rose from her knees and turned to leave the
barn. He could not let her go. He should die before she came again; he
was half dying now, and it would be so sweet to breathe out his life
upon her bosom, with perhaps her forgiving kiss upon his lips.
“Adah!” he tried to say; but the quivering lips made no sound, and Adah
passed out, leaving him there alone. “Adah, Lily, Anna,” he gasped,
hardly knowing himself whose name he called in his despair.
Public-domain text, read in full here on John Shaqi.
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