Human, All-Too-Human: A Book for Free Spirits, Part 1: Complete Works, Volume SixNietzsche, Friedrich Wilhelm
PhilosophyPhilosophy
Human, All-Too-Human: A Book for Free Spirits, Part 1: Complete Works, Volume Six
Nietzsche, Friedrich Wilhelm
Human beings
CYNICS AND EPICUREANS.--The cynic recognises the connection between
the multiplied and stronger pains of the more highly cultivated man
and the abundance of requirements; he comprehends, therefore, that
the multitude of opinions about what is beautiful, suitable, seemly
and pleasing, must also produce very rich sources of enjoyment, but
also of displeasure. In accordance with this view he educates himself
backwards, by giving up many of these opinions and withdrawing from
certain demands of culture; he thereby gains a feeling of freedom
and strength; and gradually, when habit has made his manner of life
endurable, his sensations of displeasure are, as a matter of fact,
rarer and weaker than those of cultivated people, and approach those of
the domestic animal; moreover, he experiences everything with the charm
of contrast, and--he can also scold to his heart's content; so that
thereby he again rises high above the sensation-range of the animal.
The Epicurean has the same point of view as the cynic; there is usually
only a difference of temperament between them. Then the Epicurean makes
use of his higher culture to render himself independent of prevailing
opinions, he raises himself above them, whilst the cynic only remains
negative. He walks, as it were, in wind-protected, well-sheltered,
half-dark paths, whilst over him, in the wind, the tops of the trees
rustle and show him how violently agitated is the world out there. The
cynic, on the contrary, goes, as it were, naked into the rushing of the
wind and hardens himself to the point of insensibility.
276.
MICROCOSM AND MACROCOSM OF CULTURE.--The best discoveries about
culture man makes within himself when he finds two heterogeneous powers
ruling therein. Supposing some one were living as much in love for
the plastic arts or for music as he was carried away by the spirit of
science, and that he were to regard it as impossible for him to end
this contradiction by the destruction of one and complete liberation of
the other power, there would therefore remain nothing for him to do
but to erect around himself such a large edifice of culture that those
two powers might both dwell within it, although at different ends,
whilst between them there dwelt reconciling, intermediary powers, with
predominant strength to quell, in case of need, the rising conflict.
But such an edifice of culture in the single individual will bear a
great resemblance to the culture of entire periods, and will afford
consecutive analogical teaching concerning it. For wherever the great
architecture of culture manifested itself it was its mission to compel
opposing powers to agree, by means of an overwhelming accumulation of
other less unbearable powers, without thereby oppressing and fettering
them.
277.
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