Patriotic ignorance is maintained by the satisfaction that we feel in
ignoring what is favorable to another nation. It is a voluntary closing of
the mind against the disagreeable truth that another nation may be on
certain points equal to our own, or even, though inferior, in some degree
comparable to our own.
The effect of patriotic ignorance as concerning human intercourse is to
place any one who knows the exact truth in the unpleasant dilemma of
having either to correct mistakes which are strongly preferred to truth,
or else to give assent to them against his sense of justice. International
intercourse is made almost impossible by patriotic ignorance, except
amongst a few highly cultivated persons who are superior to it. Nothing is
more difficult than to speak about one's own country with foreigners who
are perpetually putting forward the errors which they have imbibed all
their lives, and to which they cling with such tenacity that it seems as
if those errors were, in some mysterious way, essential to their mental
comfort and well-being. If, on the other hand, we have any really intimate
knowledge of a foreign country, gained by long residence in it and
studious observation of the inhabitants, then we find a corresponding
difficulty in talking reasonably about it and them with our own
countrymen, because they, too, have their patriotic ignorance which they
prize and value as foreigners value theirs.
At the risk of turning this Essay into a string of anecdotes, I intend to
give a few examples of patriotic ignorance, in order to show to what an
astonishing degree of perfection it may attain. When we fully understand
this we shall also understand how those who possess such a treasure should
be anxious for its preservation. Their anxiety is the more reasonable that
in these days there is a difficulty in keeping things when they are easily
injured by light.
A French lady who possessed this treasure in its perfection gave, in my
hearing, as a reason why French people seldom visited England, that there
were no works of art there, no collections, no architecture, nothing to
gratify the artistic sense or the intelligence; and that it was only
people specially interested in trade and manufactures who went to England,
as the country had nothing to show but factories and industrial products.
On hearing this statement, there suddenly passed before my mind's eye a
rapid vision of the great works of architecture, sculpture, and painting
that I had seen in England, and a confused recollection of many minor
examples of these arts not quite unworthy of a studious man's attention.
It is impossible to contradict a lady; and any statement of the simple
truth would, in this instance, have been a direct and crushing
contradiction. I ventured on a faint remonstrance, but without effect; and
my fair enemy triumphed. There were no works of art in England. Thus she
settled the question.
Public-domain text, read in full here on John Shaqi.
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