My next example has no reference to literature or the fine arts. A young French gentleman of superior education and manners, and with the instincts of a sportsman, said in my hearing, "There is no game in England." His tone was that of a man who utters a truth universally acknowledged. It might be a matter of little consequence, as touching our national pride, whether there was game in England or not. I have no doubt that some philosophers would consider, and perhaps with reason, that the non-existence of game, where it can only be maintained by an army of keepers and a penal code of its own, would be the sign of an advancing social state; but my young Frenchman was not much of a philosopher, and no doubt he considered the non-existence of game in England a mark of inferiority to France. There is something in the masculine mind, inherited perhaps from ancestors who lived by the chase, which makes it look upon an abundance of wild things that can be shot at, or run after with horses and dogs, as a reason for the greatest pride and glorification. On reflection, it will be found that there is more in the matter than at first sight appears. As there is no game in England, of course there are no sportsmen in that country. The absence of game means the absence of shooters and huntsmen, and consequently an inferiority in manly exercises to the French, thousands of whom take shooting licenses and enjoy the invigorating excitement of the chase. For this reason it is agreeable to French patriotic sentiment to be perfectly certain that there is no game in England. When I inquired what reason my young friend had for holding his conviction on the subject, he told me that in a country like England, so full of trade and manufactures, there could not be any room for game. One of the most popular of French songs is that charming one by Pierre Dupont in praise of his vine. Every Frenchman who knows anything knows that song, and believes that he also knows the tune. The consequence is that when one of them begins to sing it his companions join in the refrain or chorus, which is as follows:-- "Bons Français, quand je vois mon verre Plein de ce vin couleur de feu Je songe en remerciant Dieu Qu'ils n'en ont pas dans l'Angleterre!" The singers repeat "qu'ils n'en ont pas," and besides this the whole of the last line is repeated with triumphant emphasis.