The interference of qualities that lie outside of passion is shown very
curiously and remarkably in intellectual persons in this way. They may
have a strong temporary passion for somebody without intellect or culture,
but they are not likely to be held permanently by such a person; and even
when under the influence of the temporary desire they may be clearly aware
of the danger there would be in converting it into a permanent relation,
and so they may take counsel with themselves and subdue the passion or fly
from the temptation, knowing that it would be sweet to yield, but that a
transient delight would be paid for by years of weariness in the future.
Those men of superior abilities who have bound themselves for life to some
woman who could not possibly understand them, have generally either broken
their bonds afterwards or else avoided as much as possible the
tiresomeness of a _tête-à-tête_, and found in general society the means of
occasionally enduring the dulness of their home. For short and transient
relations the principal charm in a woman is either beauty or a certain
sweetness, but for any permanent relation the first necessity of all is
that she be companionable.
Passionate love is the principal subject of poets and novelists, who
usually avoid its greatest difficulties by well-known means of escape.
Either the passion finishes tragically by the death of one of the parties,
or else it comes to a natural culmination in their union, whether
according to social order or through a breach of it. In real life the
story is not always rounded off so conveniently. It may happen, it
probably often does happen, that a passion establishes itself where it has
no possible chance of satisfaction, and where, instead of being cut short
by death, it persists through a considerable part of life and embitters
it. These cases are the more unfortunate that hopeless desire gives an
imaginary glory to its own object, and that, from the circumstances of the
case, this halo is not dissipated.
Public-domain text, read in full here on John Shaqi.
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