Another very remarkable result of the exclusion of passionate love from
ordinary existence is that the idea of it takes possession of the
imagination. The most melodious poetry, the most absorbing fiction, are
alike celebrations of its mysteries. Even the wordless voice of music
wails or languishes for love, and the audience that seems only to hear
flutes and violins is in reality listening to that endless song of love
which thrills through the passionate universe. Well may the rebels against
Nature revolt against the influence of Art! It is everywhere permeated by
passion. The cold marble warms with it, the opaque pigments palpitate
with it, the dull actor has the tones of genius when he wins access to its
perennial inspiration. Even those forms of art which seem remote from it
do yet confess its presence. You see a picture of solitude, and think that
passion cannot enter there, but everything suggests it. The tree bends
down to the calm water, the gentle breeze caresses every leaf, the
white-pated old mountain is visited by the short-lived summer clouds. If,
in the opening glade, the artist has sketched a pair of lovers, you think
they naturally complete the scene; if he has omitted them, it is still a
place for lovers, or has been, or will be on some sweet eve like this.
What have stars and winds and odors to do with love? The poets know all
about it, and so let Shelley tell us:--
"I arise from dreams of Thee
In the first sweet sleep of night,
When the winds are breathing low
And the stars are shining bright:
I arise from dreams of thee,
And a spirit in my feet
Has led me--who knows how?--
To thy chamber-window, Sweet!
The wandering airs they faint
On the dark, the silent stream;
The champak odors fail
Like sweet thoughts in a dream;
The nightingale's complaint
It dies upon her heart,
As I must die on thine
O belovèd as thou art!"
ESSAY IV.
COMPANIONSHIP IN MARRIAGE.
If the reader has ever had for a travelling-companion some person totally
unsuited to his nature and quite unable to enter into the ideas that
chiefly interest him, unable, even, to _see_ the things that he sees and
always disposed to treat negligently or contemptuously the thoughts and
preferences that are most his own, he may have some faint conception of
what it must be to find one's self tied to an unsuitable companion for the
tedious journey of this mortal life; and if, on the other hand, he has
ever enjoyed the pleasure of wandering through a country that interested
him along with a friend who could understand his interest, and share it,
and whose society enhanced the charm of every prospect and banished
dulness from the dreariest inns, he may in some poor and imperfect degree
realize the happiness of those who have chosen the life-companion wisely.
Public-domain text, read in full here on John Shaqi.
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