In the preceding generation we have the well-known instances of Shelley,
Byron, and Goethe, all of whom sought companionship outside of social
rule, and enjoyed a sort of happiness probably not unembittered by the
false position in which it placed them. The sad story of Shelley's first
marriage, that with Harriett Westbrook, is one of the best instances of a
deplorable but most natural mistake. She is said to have been a charming
person in many ways. "Harriett," says Mr. Rossetti, "was not only
delightful to look at but altogether most agreeable. She dressed with
exquisite neatness and propriety; her voice was pleasant and her speech
cordial; her spirits were cheerful and her manners good. She was well
educated, a constant and agreeable reader; adequately accomplished in
music." But in spite of these qualities and talents, and even of
Harriett's willingness to learn, Shelley did not find her to be
companionable for him; and he unfortunately did discover that another
young lady, Mary Godwin, was companionable in the supreme degree. That
this latter idea was not illusory is proved by his happy life afterwards
with Mary so far as a life could be happy that was poisoned by a tragic
recollection.[3] Before that miserable ending, before the waters of the
Serpentine had closed over the wretched existence of Harriett, Shelley
said, "Every one who knows me must know that the partner of my life should
be one who can feel poetry and understand philosophy. Harriett is a noble
animal, but she can do neither." Here we have a plain statement of that
great need for companionship which was a part of Shelley's nature. It is
often connected with its apparent opposite, the love of solitude. Shelley
was a lover of solitude, which means that he liked full and adequate human
intercourse so much that the insufficient imitation of it was intolerable
to him. Even that sweetest solitude of all, when he wrote the "Revolt of
Islam" in summer shades, to the sound of rippling waters, was willingly
exchanged for the society of the one dearest and best companion:--
"So now my summer-task is ended, Mary,
And I return to thee, mine own heart's home;
As to his Queen some victor Knight of Faëry,
Earning bright spoils for her enchanted dome.
Nor thou disdain that, ere my fame become
A star among the stars of mortal night
(If it indeed may cleave its native gloom),
Its doubtful promise thus I would unite
With thy beloved name, thou child of love and light.
"The toil which stole from thee so many an hour
Is ended, and the fruit is at thy feet.
No longer where the woods to frame a bower
With interlaced branches mix and meet,
Or where, with sound like many voices sweet,
Waterfalls leap among wild islands green
Which framed for my lone boat a lone retreat
Of moss-grown trees and weeds, shall I be seen:
But beside thee, where still my heart has ever been."
Public-domain text, read in full here on John Shaqi.
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