The story of his subsequent life is too well known to need repetition
here. All that concerns our present subject is that ultimately, in the
Countess Guiccioli, he found the woman who had, for him, that one quality,
suitableness, which outweighs all the perfections. She did not read
English, but, though ignorant alike of the splendor and the tenderness of
his verse, she knew the nature of the man; and he enjoyed in her society,
probably for the first time in his life, the most exquisite pleasure the
masculine mind can ever know, that of being looked upon by a feminine
intelligence with clear sight and devoted affection at the same time. The
relation that existed between Byron and the Countess Guiccioli is one
outside of our morality, a revenge of Nature against a marriage system
that could take a girl not yet sixteen and make her the third wife of a
man more than old enough to be her grandfather. In Italy this revenge of
Nature against a bad social system is accepted, within limits, and is an
all but inevitable consequence of marriages like that of Count Guiccioli,
which, however they may be approved by custom and consecrated by religious
ceremonies, remain, nevertheless, amongst the worst (because the most
unnatural) immoralities. All that need be said in his young wife's defence
is that she followed the only rule habitually acted upon by mankind, the
custom of her country and her class, and that she acted, from beginning to
end, with the most absolute personal abnegation. On Byron her influence
was wholly beneficial. She raised him from a mode of life that was
deplored by all his true friends, to the nearest imitation of a happy
marriage that was accessible to him; but the irregularity of their
position brought upon them the usual Nemesis, and after a broken
intercourse, during which he never could feel her to be really his own, he
went to Missolonghi and wrote, under the shadow of Death,--
"The hope, the fear, the jealous care,
The exalted portion of the pain
And power of love, I cannot share,
But wear the chain."
Public-domain text, read in full here on John Shaqi.
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