Human Nature in Politics: Third EditionWallas, Graham
Science
Human Nature in Politics: Third Edition
Wallas, Graham
Political ethics; Politics, Practical
Cardinal Newman, in an illuminating passage of his _Apologia_, explains
how he made for himself images of personified nations, and hints that
behind his belief in the real existence of such images was his sense of
the convenience of creating them. He says that he identified the
'character and instinct' of 'states' and of those 'governments of
religious communities,' from which he suffered so much, with spirits
'partially fallen, capricious, wayward; noble or crafty, benevolent or
malicious, as the case might he.... My preference of the Personal to the
Abstract would naturally lead me to this view. I thought it countenanced
by the mention of the "Prince of Persia" in the prophet Daniel: and I
think I considered that it was of such intermediate beings that the
Apocalypse spoke, when it introduced "the angels of the seven
churches."'[13] In 1837 ... I said ... 'Take England with many high
virtues and yet a low Catholicism. It seems to me that John Bull is a
spirit neither of Heaven nor Hell.'
[13] Newman, _Apologia_ (1864), pp. 91, 92.
Harnack, in the same way, when describing the causes of the expansion of
Christianity, lays stress on the use of the word 'church' and the
'possibilities of personification which it offered.'[14] This use may
have owed its origin to a deliberate intellectual effort of abstraction
applied by some Christian philosopher to the common qualities of all
Christian congregations, though it more likely resulted from a half
conscious process of adaptation in the employment of a current term. But
when it was established the word owed its tremendous power over most men
to the emotions automatically stimulated by the personification, and not
to those which would follow on a full analysis of the meaning. Religious
history affords innumerable such instances. The 'truth embodied in a
tale' has more emotional power than the unembodied truth, and the visual
realisation of the central figure of the tale more power than the tale
itself. The sound-image of a sacred name at which 'every knee shall
bow,' or even of one which may be formed in the mind but may not be
uttered by the lips, has more power at the moment of intensest feeling
than the realisation of its meaning. Things of the senses--the sacred
food which one can taste, the Virgin of Kevlaar whom one can see and
touch, are apt to be more real than their heavenly anti-types.
[14] Harnack, _Expansion of Christianity_ (Tr.), vol. ii. p. 11.
Public-domain text, read in full here on John Shaqi.
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