Humanism and America : $b Essays on the outlook of modern civilisation
Philosophy
Humanism and America : $b Essays on the outlook of modern civilisation
Humanism; Literature -- Philosophy; Philosophy, Modern; United States -- Civilization -- 20th century
Theoretical physics, from the very beginning, has been a synthesis of
phenomena in terms of mechanics; that is, in terms of substance and
motion. For example, the physical properties of heat, sound, and light
are expressed by the same mathematical formulæ which express the motion
of a wave in water. To distinguish between them, we assign different
names to the substances involved, as a molecule of air, a corpuscle of
light, or an æther. But whatever names we may give to them, or however
we may try to distinguish them, we assign to all of them the common
attribute of mass, or inertia, which is the only essential coefficient
in a mechanical equation. And we use for all these different phenomena
the same formula of motion, the quotient of the distance by the time.
These quantities, mass and motion, when combined give us the law of
mechanical energy, and our synthesis rests on the single fact that
heat, sound, and light may be changed into mechanical motion, and may
be produced by it. This energy is then their common and mutable factor.
But the objective phenomena of heat, light, and sound are cognisable
to us through three separate sense-organs and are perceived as
temperature, sight, and tone. These sensations are fundamentally
different and, in fact, to confuse any of them with another is one of
the surest indications of insanity. Thus the world as depicted by the
physicist does not correspond with our world of sensation; nor does he
attempt to do more than to discuss a restricted set of attributes, and
not even those which really distinguish heat, light, etc., as such.
Newton, in his earliest published work, made evident this essential
difference between the fields of physics and psychology. By means
of a prism he refracted a beam of white sunlight into a continuous
spectrum. He then placed a screen, containing a narrow slit, behind
the prism in such a way as to permit only a very thin ray from the
spectrum to pass on, and through, a second prism fastened parallel to
the first prism. (I call it a homogeneous light ray to distinguish it
from its psychological analogue, colour.) No matter what portion of the
spectrum was used for the second prism, there was no further change of
colour; the ray merely suffered a second angular deviation equal to
that produced by the first refraction. He also recombined the whole
spectrum by a reversed prism and obtained a single ray parallel to the
original ray and pure white in colour. As a result of his experiments,
he announced the following law: a primary ray of light is one which
has a definite and specific angle of refraction by a prism, and each
such primary ray is, to the eye, a primary colour. White is therefore
a mixture of an indefinitely large number of primary rays, each
possessing a different angle of deviation when passed through a prism;
and when so separated each primary ray is seen by the eye as a primary
colour.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account