Humanistic Studies of the University of Kansas, Vol. 1

Name: Humanistic Studies of the University of Kansas, Vol. 1
Author: Mitchell, Arthur

Mitchell, Arthur

Humanities

1. Pauline, 1833.
            2. Paracelsus, 1835.
            3. Sordello, 1840.
            4. Pippa Passes, 1841.
            5. My Last Duchess, 1842.
            6. In a Gondola, 1842.
            7. Waring, 1842.
            8. The Boy and the Angel, 1845.
            9. Time’s Revenges, 1845.
           10. The Bishop orders his Tomb at St. Praxed’s Church, 1845.
           11. Pictor Ignotus, 1845.
           12. The Italian in England, 1845.
           13. Luria, 1846.
           14. A Soul’s Tragedy, 1846.
           15. Christmas-Eve and Easter-Day, 1850.
           16. Up at a Villa, 1855.
           17. A Toccata of Galuppi’s, 1855.
           18. Old Pictures in Florence, 1855.
           19. By the Fireside, 1855.
           20. Any Wife to Any Husband, 1855.
           21. In Three Days, 1855.
           22. The Guardian Angel, 1855.
           23. Master Hugues of Saxe-Gotha, 1855.
           24. The Statue and the Bust, 1855.
           25. How it Strikes a Contemporary, 1855.
           26. Fra Lippo Lippi, 1855.
           27. Andrea del Sarto, 1855.
           28. Bishop Blougram’s Apology, 1855.
           29. One Word More, 1855.
           30. James Lee’s Wife, 1864.
           31. Abt Vogler, 1864.
           32. Youth and Art, 1864.
           33. A Face, 1864.
           34. Apparent Failure, 1864.
           35. The Ring and the Book, 1868-9.
           36. Prince Hohenstiel-Schwangau, 1871.
           37. Fifine at the Fair, 1872.
           38. Red Cotton Night-Cap Country, 1873.
           39. The Inn Album, 1875.
           40. Pacchiarotto, 1876.
           41. Cenciaja, 1876.
           42. Filippo Baldinucci, 1876.
           43. Pietro of Abano, 1880.
           44. Christina and Monaldeschi, 1883.
           45. With Christopher Smart, 1887.
           46. With Francis Furini, 1887.
           47. With Charles Avison, 1887.
           48. Ponte dell’ Angelo, Venice, 1889.
           49. Beatrice Signorini, 1889.


       II. TABULATION OF REFERENCES TO INDIVIDUAL ARTS.


  SCULPTURE

        I. _Sordello._
            1. Niccolo Pisano (1206-1278). By his study of nature
               and the ancients, gave the death-blow to
               Byzantinism and heralded the Renaissance.
            2. Giovanni Pisano (c. 1250-1330). His many pupils
               carried the continuation of his father’s principles
               throughout northern Italy.

Public-domain text, read in full here on John Shaqi.

Opening the text

Humanistic Studies of the University of Kansas, Vol. 1Mitchell, Arthur

Philosophy

Humanistic Studies of the University of Kansas, Vol. 1

Mitchell, Arthur

Humanities

1. Pauline, 1833.
            2. Paracelsus, 1835.
            3. Sordello, 1840.
            4. Pippa Passes, 1841.
            5. My Last Duchess, 1842.
            6. In a Gondola, 1842.
            7. Waring, 1842.
            8. The Boy and the Angel, 1845.
            9. Time’s Revenges, 1845.
           10. The Bishop orders his Tomb at St. Praxed’s Church, 1845.
           11. Pictor Ignotus, 1845.
           12. The Italian in England, 1845.
           13. Luria, 1846.
           14. A Soul’s Tragedy, 1846.
           15. Christmas-Eve and Easter-Day, 1850.
           16. Up at a Villa, 1855.
           17. A Toccata of Galuppi’s, 1855.
           18. Old Pictures in Florence, 1855.
           19. By the Fireside, 1855.
           20. Any Wife to Any Husband, 1855.
           21. In Three Days, 1855.
           22. The Guardian Angel, 1855.
           23. Master Hugues of Saxe-Gotha, 1855.
           24. The Statue and the Bust, 1855.
           25. How it Strikes a Contemporary, 1855.
           26. Fra Lippo Lippi, 1855.
           27. Andrea del Sarto, 1855.
           28. Bishop Blougram’s Apology, 1855.
           29. One Word More, 1855.
           30. James Lee’s Wife, 1864.
           31. Abt Vogler, 1864.
           32. Youth and Art, 1864.
           33. A Face, 1864.
           34. Apparent Failure, 1864.
           35. The Ring and the Book, 1868-9.
           36. Prince Hohenstiel-Schwangau, 1871.
           37. Fifine at the Fair, 1872.
           38. Red Cotton Night-Cap Country, 1873.
           39. The Inn Album, 1875.
           40. Pacchiarotto, 1876.
           41. Cenciaja, 1876.
           42. Filippo Baldinucci, 1876.
           43. Pietro of Abano, 1880.
           44. Christina and Monaldeschi, 1883.
           45. With Christopher Smart, 1887.
           46. With Francis Furini, 1887.
           47. With Charles Avison, 1887.
           48. Ponte dell’ Angelo, Venice, 1889.
           49. Beatrice Signorini, 1889.


       II. TABULATION OF REFERENCES TO INDIVIDUAL ARTS.


  SCULPTURE

        I. _Sordello._
            1. Niccolo Pisano (1206-1278). By his study of nature
               and the ancients, gave the death-blow to
               Byzantinism and heralded the Renaissance.
            2. Giovanni Pisano (c. 1250-1330). His many pupils
               carried the continuation of his father’s principles
               throughout northern Italy.

Public-domain text, read in full here on John Shaqi.

Humanistic Studies of the University of Kansas, Vol. 1

Humanistic Studies of the University of Kansas, Vol. 1

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