II. _Pippa Passes._ 1. Canova (1757-1822). A refined, classical, but somewhat artificial reviver of Italian sculpture in the modern era. a. The Psiche-fanciulla--Psycheas a young girl with a butterfly, in the Possagno Gallery. b. Pietà--a statue of the Virgin with the dead Christ in her arms, in Possagno Church. 2. Jules. An imaginary young sculptor, studying Italian models. a. Almaign Kaiser. b. Hippolyta. c. Psyche. d. Tydeus. III. _My Last Duchess._ 1. Claus of Innsbruck. An imaginary Renaissance sculptor. a. Neptune taming a sea-horse. IV. _The Bishop orders his Tomb at St. Praxed’s Church._ 1. Tomb of the Bishop. 2. Globe in the Church of Il Gesu. V. _Christmas-Eve and Easter-Day._ 1. Early Christian attitude toward art. VI. _Old Pictures in Florence._ 1. Niccolo Pisano. 2. Ghiberti (1378-1455). A Florentine sculptor, also important for perspective in painting, whose ideal combined religious feeling with classical beauty. VII. _The Statue and the Bust._ 1. Giovanni da Bologna (John of Douay) (c. 1524-1608). An Italian Renaissance sculptor who combines technical knowledge with fine poetic feeling. a. Statue of Duke Ferdinand, by Giovanni. b. A bust of the Lady. VIII. _The Ring and the Book._ (I.) 1. Baccio’s marble (by Baccio Bandinelli)--statue of John of the Black Bands, father of Cosimo de’ Medici. 2. Bernini’s Triton. (III.) 3. Bernini’s Triton. (VI.) 4. Pasquin’s statue. (VII.) 5. Marble lion in San Lorenzo. 6. Virgin at Pompilia’s street corner. (XI.) 7. Bocca-dell’-Verità--the fabled test for the verity of witnesses, a mask of stone in the portico of the Church Santa Maria in Cosmedin. MUSIC I. _The Englishman in Italy._ 1. Bellini (1801-1835). An Italian opera composer. II. _A Toccata of Galuppi’s._ 1. Galuppi (1706-1785). A composer of melodious rather than original operas, whose workmanship was superior to that of his contemporaries in harmony and orchestration. III. _Master Hugues of Saxe-Gotha._ 1. Master Hugues of Saxe-Gotha. An imaginary composer. 2. Palestrina (1526-1594). Famous for saving music to the church by submitting some that met with approval when ecclesiastical authorities were about to forbid its use.