Humanistic Studies of the University of Kansas, Vol. 1

Name: Humanistic Studies of the University of Kansas, Vol. 1
Author: Mitchell, Arthur

Mitchell, Arthur

Humanities

XX. _The Ring and the Book._
      (I).  1. Luigi Ademollo (1764-1849). A Florentine painter of
               historical and fresco works, whose works show
               superficial skill.
            2. Joconde, or Mona Lisa, by Da Vinci--the woman of
               the mysterious smile, recently returned to the
               Louvre.
     (II).  3. Guido Reni.
                a. Crucifixion, in San Lorenzo at Rome.
    (III).  4. Carlo Maratta (1625-1713). A painter at Rome, an
               imitator of Raphael and the Carracci.
     (IV).  5. Raphael.
            6. Correggio.
                a. Leda.
      (V).  7. Pietro da Cortona (1596-1669). Mainly a scenic and
               fresco painter, the estimate of whom has declined
               since his own time.
            8. Ciro Ferri (1634-1689). A pupil of Pietro, so
               imitative of his master that the work of the two
               cannot be distinguished.
     (VI).  9. Raphael.
    (VII). 10. St. George Slaying the Dragon--by Vasari.
   (VIII). 11. Carlo Maratta.
     (IX). 12. Maratta.
           13. Luca Giordano.
           14. Michael Angelo.
           15. Raphael.
           16. Pietro da Cortona.
           17. Ciro Ferri.
      (X). 18. St. Michael.
     (XI). 19. Albani (1587-1660). A Bolognese who also worked at
               Rome; a painter of minute elaboration and finish,
               and one of the first to devote himself to cabinet
               painting.
           20. Picture in Vallombrosa Convent.
           21. Raphael--any picture.
           22. Titian.
           23. Fra Angelico.
           24. Michael Angelo.
    (XII). 25. Michael Angelo.

      XXI. _Prince Hohenstiel-Schwangau._
            1. Raphael.
            2. Salvator Rosa (1615-1673). A Neapolitan painter of
               battle scenes and landscapes, with a tendency
               toward the picturesque and romantic.

     XXII. _Fifine at the Fair._
            1. Raphael.
            2. Bazzi (1477-1594). An Italian Renaissance painter
               who was greatly influenced by Leonardo da Vinci,
               and in turn, had great influence on the Sienese
               school.
            3. Michael Angelo.

    XXIII. _Red Cotton Night-Cap Country._
            1. Michael Angelo.
            2. Correggio.
                a. Leda.

     XXIV. _Pacchiarotto and How He Worked in Distemper._
            1. Pacchiarotto (1474-?). A Sienese painter, reformer,
               and conspirator.
            2. Pacchia (b. 1477). A Sienese painter contemporary
               to Pacchiarotto, and also a reformer and
               conspirator.
            3. Fungaio (c. 1460-c. 1516). One of the last of the
               old school. His works have rigidity and awkward
               stiffness.
            4. Bazzi.
            5. Beccafumi (1486-1551). A Sienese painter who weakly
               imitated Angelo and attempted to rival Sodoma.
            6. Giotto.

Public-domain text, read in full here on John Shaqi.

Opening the text

Humanistic Studies of the University of Kansas, Vol. 1Mitchell, Arthur

Philosophy

Humanistic Studies of the University of Kansas, Vol. 1

Mitchell, Arthur

Humanities

XX. _The Ring and the Book._
      (I).  1. Luigi Ademollo (1764-1849). A Florentine painter of
               historical and fresco works, whose works show
               superficial skill.
            2. Joconde, or Mona Lisa, by Da Vinci--the woman of
               the mysterious smile, recently returned to the
               Louvre.
     (II).  3. Guido Reni.
                a. Crucifixion, in San Lorenzo at Rome.
    (III).  4. Carlo Maratta (1625-1713). A painter at Rome, an
               imitator of Raphael and the Carracci.
     (IV).  5. Raphael.
            6. Correggio.
                a. Leda.
      (V).  7. Pietro da Cortona (1596-1669). Mainly a scenic and
               fresco painter, the estimate of whom has declined
               since his own time.
            8. Ciro Ferri (1634-1689). A pupil of Pietro, so
               imitative of his master that the work of the two
               cannot be distinguished.
     (VI).  9. Raphael.
    (VII). 10. St. George Slaying the Dragon--by Vasari.
   (VIII). 11. Carlo Maratta.
     (IX). 12. Maratta.
           13. Luca Giordano.
           14. Michael Angelo.
           15. Raphael.
           16. Pietro da Cortona.
           17. Ciro Ferri.
      (X). 18. St. Michael.
     (XI). 19. Albani (1587-1660). A Bolognese who also worked at
               Rome; a painter of minute elaboration and finish,
               and one of the first to devote himself to cabinet
               painting.
           20. Picture in Vallombrosa Convent.
           21. Raphael--any picture.
           22. Titian.
           23. Fra Angelico.
           24. Michael Angelo.
    (XII). 25. Michael Angelo.

      XXI. _Prince Hohenstiel-Schwangau._
            1. Raphael.
            2. Salvator Rosa (1615-1673). A Neapolitan painter of
               battle scenes and landscapes, with a tendency
               toward the picturesque and romantic.

     XXII. _Fifine at the Fair._
            1. Raphael.
            2. Bazzi (1477-1594). An Italian Renaissance painter
               who was greatly influenced by Leonardo da Vinci,
               and in turn, had great influence on the Sienese
               school.
            3. Michael Angelo.

    XXIII. _Red Cotton Night-Cap Country._
            1. Michael Angelo.
            2. Correggio.
                a. Leda.

     XXIV. _Pacchiarotto and How He Worked in Distemper._
            1. Pacchiarotto (1474-?). A Sienese painter, reformer,
               and conspirator.
            2. Pacchia (b. 1477). A Sienese painter contemporary
               to Pacchiarotto, and also a reformer and
               conspirator.
            3. Fungaio (c. 1460-c. 1516). One of the last of the
               old school. His works have rigidity and awkward
               stiffness.
            4. Bazzi.
            5. Beccafumi (1486-1551). A Sienese painter who weakly
               imitated Angelo and attempted to rival Sodoma.
            6. Giotto.

Public-domain text, read in full here on John Shaqi.

Humanistic Studies of the University of Kansas, Vol. 1

Humanistic Studies of the University of Kansas, Vol. 1

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