Humanistic Studies of the University of Kansas, Vol. 1Mitchell, Arthur
Philosophy
Humanistic Studies of the University of Kansas, Vol. 1
Mitchell, Arthur
Humanities
XI. _The Guardian Angel._
1. Guercino (1591-1666). The “squint-eyed”; a
Bolognese painter.
a. Angel at Fano.
XII. _Any Wife to Any Husband._
1. Titian’s Venus.
XIII. _How it Strikes a Contemporary._
1. Titian.
XIV. _Fra Lippo Lippi._
1. Lippi (1406-1469). A realist of good coloring and
technique, a painter of enjoyable pictures showing
power of observation.
a. Jerome.
b. St. Lawrence.
c. Coronation of the Virgin--in St. Ambrose.
2. Angelico.
3. Monaco.
4. Guidi Masaccio (1402-1429). A Florentine; the
master of Lippi, the first to make considerable
advancement in atmospheric perspective and to paint
architectural background in proportion to the human
figures.
5. Giotto.
XV. _Andrea del Sarto._
1. Andrea (1487-1513). A Florentine, the “faultless
painter,” who lacked elevation and ideality in his
works.
2. Raphael.
3. Vasari (1511-1571). A Florentine artist, student of
Michael Angelo, imitative and feeble as a painter,
but interesting as an art historian.
4. Michael Angelo.
5. Leonardo da Vinci.
XVI. _Bishop Blougram’s Apology._
1. Correggio.
a. Jerome.
2. Giulio Romano (1429-1546). A rather ornate artist,
the executor of some work on the Vatican.
3. Raphael.
4. Michael Slaying the Dragon--by Raphael.
XVII. _One Word More._
1. Raphael.
a. Sistine Madonna.
b. Madonna Foligno.
c. Madonna of the Grand Duke.
d. Madonna of the Lilies.
2. Guido Reni.
3. Lippi.
4. Andrea.
XVIII. _James Lee’s Wife._
1. Leonardo da Vinci.
XIX. _A Face._
1. Correggio.
2. General reference to the early art of Tuscany.
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