Humoresque: A Laugh on Life with a Tear Behind ItHurst, Fannie
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Humoresque: A Laugh on Life with a Tear Behind It
Hurst, Fannie
Fiction; Short stories, American
"Got your mute in your pocket, son?"
"Yes, ma; for God's sake, yes! Yes! Don't keep asking things!"
"Ain't you ashamed, Leon, to be in such an excitement! For every concert
you get worse."
"The chairs--they'll breathe on nay neck."
"Leon, did mamma promise you those chairs would be moved?"
"Where's Hancock?"
"Say--I'm grateful if he stays out. It took me enough work to get this
room cleared. You know your papa how he likes to drag in the whole world
to show you off--always just before you play. The minute he walks in the
room right away he gets everybody to trembling just from his own
excitements. I dare him this time he should bring people. No dignity has
that man got, the way he brings every one."
Even upon her words came a rattling of door, Of door-knob, and a voice
through the clamor.
"Open--quick--Sarah! Leon!"
A stiffening raced over Mrs. Kantor, so that she sat rigid on her
chair-edge, lips compressed, eye darkly upon the shivering door.
"Open--Sarah!"
With a narrowing glance, Mrs. Kantor laid to her lips a forefinger of
silence.
"Sarah, it's me! Quick, I say!"
Then Leon Kantor sprang up, the old prehensile gesture of curving
fingers shooting up.
"For God's sake, ma, let him in! I can't stand that infernal battering."
"Abrahm, go away! Leon's got to have quiet before his concert."
"Just a minute, Sarah. Open quick!"
With a spring his son was at the door, unlocking and flinging it back.
"Come in, pa."
The years had weighed heavily upon Abrahm Kantor in avoirdupois only. He
was himself plus eighteen years, fifty pounds, and a new sleek pomposity
that was absolutely oleaginous. It shone roundly in his face, doubling
of chin, in the bulge of waistcoat, heavily gold-chained, and in eyes
that behind the gold-rimmed glasses gave sparklingly forth his estate of
well-being.
"Abrahm, didn't I tell you not to dare to--"
On excited balls of feet that fairly bounced him, Abrahm Kantor burst
in.
"Leon--mamma--I got out here an old friend--Sol Ginsberg. You remember,
mamma, from brasses--"
"Abrahm--not now--"
"Go 'way with your 'not now'! I want Leon should meet him. Sol, this is
him--a little grown up from such a _nebich_ like you remember
him--_nu_? Sarah, you remember Sol Ginsberg? Say--I should ask you if
you remember your right hand! Ginsberg & Esel, the firm. This is his
girl, a five years' contract signed yesterday--five hundred dollars an
opera for a beginner--six roles--not bad--_nu_?"
"Abrahm, you must ask Mr. Ginsberg please to excuse Leon until after his
concert--"
"Shake hands with him, Ginsberg. He's had his hand shook enough in his
life, and by kings, to shake it once more with an old bouncer like you!"
Mr. Ginsberg, not unlike his colleague in rotundities, held out a short,
a dimpled hand.
"It's a proud day," he said, "for me to shake the hands from mine old
friend's son and the finest violinist livink to-day. My little
daughter--"
Public-domain text, read in full here on John Shaqi.
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