Humoresque: A Laugh on Life with a Tear Behind ItHurst, Fannie
General
Humoresque: A Laugh on Life with a Tear Behind It
Hurst, Fannie
Fiction; Short stories, American
"I didn't know, I.W.! Don't kill me for what I didn't know!"
She crouched back from his knotted face, and he sprang then out of bed,
nightshirt flapping about his knees, and his fists and his bulging eyes
raised to the quiet stars.
"God," he cried, "help me to keep hold of myself! Help me! You--you--"
His voice was so high and so tight in his throat that it stuck, leaving
him in inarticulate invocation.
"I.W.!"
"My child engaged to--to her mother's--you--you--"
"I.W.! Do you see now? You wouldn't let him have her! You wouldn't,
I.W.! Tell me you wouldn't!"
"I want him if he touches her to be struck dead! I want him to be struck
dead!"
"Thank God!" said Mrs. Goldstone, weeping now tears that eased her
breathing.
Suddenly he leaned toward her, his voice rather quieter, but his
forefinger waggling out toward the open door.
"You go!" he said, and then in a gathering hurricane of fury, "go!"
"I.W., don't yell! Don't! Don't!"
"Go--while I'm quiet. Go--you hear?"
She edged around him where he stood, in fear of his white, crouched
attitude.
"I.W.!"
He made a step toward her, and, at the sound in his throat, she ran out
into the hallway and down the stairs to the porch. In the deep shade of
the veranda's elbow a small figure lay deep in sleep in the wicker
rocker, one bare arm up over her head and lips parted.
In a straight chair beside her Mrs. Goldstone sat down. She was
shuddering with chill and repeating to herself, quite aloud and over and
over again:
"What have I done? What have I done? What have I done?"
She was suddenly silent then, staring out ahead, her hands clutching the
chair-arms.
To her inflamed fancy, it was as if, beyond the hedge, the old disused
hitching-post had become incarnate and, in the form of her naive and
horned conception, was coming toward her with the whites of his eyes
bloodshot.
A PETAL ON THE CURRENT
Were I only swifter and more potent of pen, I could convey to you all in
the stroke of a pestle the H2O, the pigment of the red-cheeked apple,
the blue of long summer days, and the magnesia of the earth for which
Stella Schump was the mortal and mortar receptacle.
She was about as exotic as a flowering weed which can spring so strongly
and so fibrously from slack. And yet such a weed can bleed milk. If
Stella Schump was about fourteen pounds too plump, too red of cheek, and
too blandly blue of eye, there was the very milk of human kindness in
her morning punching up of her mother's pillows and her smoothing down
of the gray and poorly hair. She could make a bed freshly, whitely, her
strong young arms manoeuvering under but not even jarring the poor old
form so often prone there.
There was a fine kind of virile peasantry in the willing hands, white
enough, but occasionally broken at the nails from eight hours of this
box in and that box out in a children's shoe department.
Differing by the fourteen pounds, Watteau would have scorned and Rubens
have adored to paint her.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account