Humoresque: A Laugh on Life with a Tear Behind ItHurst, Fannie
General
Humoresque: A Laugh on Life with a Tear Behind It
Hurst, Fannie
Fiction; Short stories, American
"You see, mister--you see, it was my--my mamma--my beautiful, darling
mamma--O God!--"
"Yes, yes; it was your mamma--and then what?"
"It was my mamma, my beautiful, darling mamma! What'll I do, mister? I
can't make it up to her. No way--nohow. She's gone--she's gone--"
"Easy--easy--try to keep easy."
"I used to kiss her hands when they was embroiderin'. I used to grease
'em for her all night when she screamed with the pain of 'em. I used to
scream at night, too, when I was doin' my time--her there waitin'--she
died alone--there waitin'--the letter they gave me the stamp for--I--I
was crazy with scare when I wrote it--O God!--mamma--mamma--mamma!"
"'Sh-h-h! 'Sh-h-h! Try to keep easy."
"It was this way--O God, how was it?--it was this way--you see, me and
my mamma and sometimes a friend--Cora Jones--no--no--no--Cora
Kinealy--we used to sit in the lamplight--no--no--first, I was in the
shoes--the children's shoes--they used to come in, little kiddies with
their toes all kicked out wantin' new shoes--cute little baby-shoes that
I loved to try on 'em. My friend--Cora--my friend--O God!--"
"Now, now, like a good girl--go on."
"My friend Cora--my darling little mamma--I never knew nothing about
anything except me and my mamma, we--it worried her that I didn't have
it like--like other girls--I--you see--you see, mister?"
"Yes, yes, I see."
Her voice, so jerked up with sobs, quieted down to a drone finally, to a
low drone that talked on and on through an hour, through two. There were
large, shining beads of tears flowing constantly from her cheeks, but
she wiped at them unceasingly with her handkerchief and talked evenly
through a new ease in her throat.
"She died, mister," she ended up finally, turning her salt-bitten eyes
full upon him; "she died of that letter written when I was so full of a
scared craziness from bein' in--in that place--that terrible, terrible
place--but she didn't die believin' me bad. I never seen her alive again
to hear it from her, but there in her--her little coffin I--I seen it in
her little face, all sunk, she didn't believe it--she didn't die
thinkin' me bad. Mister, did she? Did she?"
He did not answer, sitting there, drooped forward for so long that
finally she put out her hand to touch his.
"Did she?"
He did not turn his face, but reached around, inclosing her wrist,
pressing it, gripping it.
"Did she, mister?"
"No, no," he said, finally, "no, Stella; she didn't die thinkin' you
bad."
She sighed out, eyes closing, and her quivering lips falling quiet.
"Do you think I'm bad, mister?"
"No, Stella! No! No! No! My God, no!"
"I'm cold."
"Come."
"Where?"
"I'm goin' to take you across the street there to the Young Women's
Shelter Home for to-night. Just across there. See the sign? Don't be
afraid, Stella. Please don't be afraid."
"I ain't."
He retied the white-paper package, tucking it up under one arm.
"Come, Stella."
She rose, swaying for the merest second. His arm shot out.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account