Humoresque: A Laugh on Life with a Tear Behind ItHurst, Fannie
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Humoresque: A Laugh on Life with a Tear Behind It
Hurst, Fannie
Fiction; Short stories, American
"I'm all right," she said, steadying herself, smilingly, shamefacedly,
but relaxing gratefully enough to the flung support.
"Don't be afraid, Stella," he said. "I'm here. I'm here."
His forearm where the cuff had ridden up bore a scar, as if molten lead
had run a fiery, a dagger-shaped, an excoriating course.
WHITE GOODS
On a slope a white sprinkling of wood anemones lay spread like a patch
of linen bleaching in the sun. From a valley a lark cut a swift diagonal
upward with a coloratura burst of song. A stream slipped its ice and
took up its murmur where it had left off. A truant squelched his toes in
the warm mud and let it ooze luxuriantly over and between them.
A mole stirred in its hole, and because spring will find a way, even
down in the bargain basement of the Titanic Store, which is far below
the level of the mole, Sadie Barnet, who had never seen a wood anemone
and never sniffed of thaw or the wet wild smell of violets, felt the
blood rise in her veins like sap, and across the aisle behind the
white-goods counter Max Meltzer writhed in his woolens, and Sadie
Barnet, presiding over a bin of specially priced mill-ends out mid-aisle
between the white goods and the muslin underwear, leaned toward him, and
her smile was as vivid as her lips.
"Say, Max, guess why I think you're like a rubber band."
Classic Delphi was never more ready with ambiguous retort.
Behind a stack of Joy-of-the-Loom bed-sheets, Max Meltzer groped for
oracular divination, and his heart-beats fluttered in his voice.
"Like a rubber band?"
"Yeh."
"Give up."
"Aw, give a guess."
"Well, I don't know, Miss Sadie, unless--unless it's because I'm stuck
on you."
Do not, ascetic reader, gag at the unsocratic plane. True, Max Meltzer
had neither the grain nor the leisure of a sophist, a capacity for
tenses or an appreciation of Kant. He had never built a bridge, led a
Bible class, or attempted the first inch of the five-foot bookshelf. But
on a two-figure salary he subscribed an annual donation to a
skin-and-cancer hospital, wore non-reversible collars, and maintained a
smile that turned upward like the corners of a cycle moon. Remember,
then, ascetic reader, that a rich man once kicked a leper; Kant's own
heart, that it might turn the world's heart outward, burst of pain; and
in the granite canyon of Wall Street, one smile in every three-score and
ten turns upward.
Sadie Barnet met Max Meltzer's cycle-moon smile with the blazing eyes of
scorn, and her lips, quivering to a smile, met in a straight line that
almost ironed out the curves.
"'Cause you're stuck on me! That's a swell guess. Gee! you're as funny
as a sob, you are."
The words scuttered from her lips like sharp hailstones and she glanced
at him sidewise over a hump of uplifted shoulder and down the length of
one akimbo arm.
"'Cause you're stuck on me! Huh!"
Max Meltzer leaned across a counter display of fringed breakfast
napkins.
"Ain't that a good reason, Miss Sadie? It's a true one."
Public-domain text, read in full here on John Shaqi.
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