Humphry Davy, Poet and PhilosopherThorpe, T. E. (Thomas Edward)
Science
Humphry Davy, Poet and Philosopher
Thorpe, T. E. (Thomas Edward)
Davy, Humphry, Sir, 1778-1829
I am further under very special obligations to Dr. Humphry D.
Rolleston, the grand-nephew of Sir Humphry Davy, for much valuable
material, procured through the kind co-operation of Miss Davy, the
granddaughter of Dr. John Davy. This consisted of letters from
Priestley, Kirwan, Southey, Coleridge, Maria Edgeworth, Mrs. Beddoes
(Anna Edgeworth), Sir Joseph Banks, Gregory Watt, and others; and,
what is of especial interest to his biographer, a large number of
Davy’s own letters to his wife. In addition were papers relating to the
invention of the Safety Lamp. Some of the letters have already been
published by Dr. John Davy, but others now appear in print for the
first time. I am also indebted to Dr. Rolleston for the loan of the
portrait representing Davy in Court dress and in the presidential chair
of the Royal Society, which, reproduced in photogravure, forms the
frontispiece to this book. The original is a small highly-finished work
by Jackson, and was painted about 1823. The picture originally belonged
to Lady Davy, who refers to it in the letter to Davies Gilbert (quoted
by Weld in his “History of the Royal Society”), in which she offers
Lawrence’s well-known portrait to the Society, and which, by the way,
the Society nearly lost through the subsequent action of the painter.
For the references to the early history of the Royal Institution I
am mainly indebted to Dr. Bence Jones’s book. I have, moreover, to
thank the Managers of the Institution for their kindness in giving
me permission to see the minutes of the early meetings, and also for
allowing me to consult the manuscripts and laboratory journals in their
possession. These include the original records of Davy’s work, and also
the notes taken by Faraday of his lectures. The Managers have also
allowed me to reproduce Miss Harriet Moore’s sketch--first brought
to my notice by Professor Dewar--of the chemical laboratory of the
Institution as it appeared in the time of Davy and Faraday, and I have
to thank them for the loan of Gillray’s characteristic drawing of the
Lecture Theatre, from which the illustration on p. 70 has been prepared.
I have necessarily had to refer to the relations of Davy to Faraday,
and I trust I have said enough on that subject. Indeed, in my opinion,
more than enough has been said already. It is not necessary to
belittle Davy in order to exalt Faraday; and writers who, like Dr.
Paris, unmindful of George Herbert’s injunction, are prone to adopt an
antithetical style in biographical narrative have, I am convinced, done
Davy’s memory much harm.
Public-domain text, read in full here on John Shaqi.
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