Hungarian Sketches in Peace and War: Constable's Miscellany of Foreign Literature, vol. 1Jókai, Mór
History
Hungarian Sketches in Peace and War: Constable's Miscellany of Foreign Literature, vol. 1
Jókai, Mór
Hungary -- Fiction; Hungary -- History -- Uprising of 1848-1849 -- Fiction
Most of the Hungarian literati were, at the close of the war, either
roaming in foreign countries, or wandering in disguise through their
native land; and the field of literature for a long time threatened to
remain neglected and barren--a monument of national grief and
desolation! Those patriotic writers who had for years wielded the pen
with the noblest impulses thought to do their duty best by letting
their highest faculties lie dormant; and laid aside the lyre rather
than bring unacceptable offerings to a fatherland laid low, and at
the mercy of foreign swords. And who will deny that there is sometimes
great virtue in silence, and that the tongue that speaks not is often
more eloquent and heroic than that which dares to utter sublime truths
even at the foot of the gibbet? Many of the noble-hearted of Hungary
resigned themselves to such a martyr-like silence, and persevere in it
to the present day; while the great bulk of the people, unwilling to
enhance the triumph of their victorious enemies by a show of
unavailing lamentation, followed their example. Pesth, which had been
the scene of literary activity, was at once deserted; the bards of
Hungary, abandoning their homes to the wantonness of a foreign
soldiery, went back to the districts whence they had come, there to
mingle with those peasants whose chivalry and patriotism afforded
constant themes to their lyres. Their renewed intercourse with their
rustic countrymen served again to revive their hopes, quenched as in
the grave.
In the sketches of Jokai, the reader will find many original
delineations of Hungarian life among the middle-class nobility--a race
of men whose manner of life and thought cannot fail to be interesting,
however cursorily described. But the Hungarian peasant is in his way
no less attractive. Nothing can be wilder than his dress, consisting
of a sheepskin cloak (bunda), or a similar habit of the coarsest
cloth, a shirt, scarcely reaching below the waist, and wide linen
drawers, to which boots do not often form the necessary complement;
yet his easy demeanour, delicate feelings, and especially his
language, are such as to put him on a level with the educated
classes. In conversation he will often use a more dignified style
than a noble, who, by his exclusive privileges, has had ample scope
for oratory in the county assemblies--select with astonishing tact the
best lyrical productions of the day, and immortalize the lay by a tune
of his own composition. These qualities of the Hungarian rustic--an
insight into whose character will be given to the reader by a few camp
scenes contained in this volume--must appear the more striking if we
remember that the class to which he belongs was for centuries in a
state of serfdom, from which it was only liberated by the late
Revolution.
Public-domain text, read in full here on John Shaqi.
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