Cigar-store Indians -- Pictorial works; Indians of North America -- Statues
AS the “Wooden Indian” has long been a by-word, and a popular symbol of
stolidity in mind and body, I have thought it worth while to show that
like more pretentious statuary he may furnish inspiration to the Muse of
Poetry. Here is an advertisement in verse sent me by a lady of Seneca
Falls, New York.
“Where the stately Indian chieftian
Stands in silence by the door,
Down on Vall street, stop and peep in
You will find a splendid store.
Should you choose the weed Nicotian
Choice tobaccos that inspire
Whose sweet incense wins devotion
To the smoking meerschaum’s fire,
Would you purchase true enjoyment,
Joy without a shade of sorrow;
Would you rest from your employment
With a fragrant rich cigarro,
Formed from meerschaum, clay and brier,
Tipped with amber, stemmed with cherry,
Are the bowls for perfumed fire,
Holding fumes that make men merry,
Or, should you prefer to “quid” it,
And to taste the weed’s dark juices,
Warrington will not forbid it
Neither need you make excuses.
You who love the weed they call sweet,
Plug or fine cut, twist or leaf,
Go to Warrington’s at Vall street
There where stands the Indian Chief.”
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[Illustration:
PUNCH WITH IMPRESSIVE NOSE
ANOTHER PUNCH—LESS FORTUNATE
PUNCHINELLO AND NONDESCRIPT
PUCK]
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VIII
WHAT a sarcasm of Destiny it is that when we have driven out and killed
off all the Indians who were so happy here, we write poetry praising
them, novels about the good looking, brave, and almost, too saintly Red
Man. And now it is seriously urged that a suitable Memorial be erected
in New York Harbor to the Memory of the North American Indian whose
ranks are thinning so rapidly, that within a comparatively few years
more, the race will be obliterated by the advance of the white man’s
civilization. That is rather a rosy way of describing the treatment the
Indian has received.
The proposed statue will be colossal in size and of bronze in
construction, with outstretched arm, typifying a greeting from the
primal American to the people of all other nations.
That might be well represented by “Samoset,” illustrating the finer,
better traits of the Indian, when he cried out a “Welcome, Englishmen”
to the strangers who were landing.
I have dwelt so much on this theme that I’m actually confusing the real
Indian with a wooden statue. Never mind. Did you know that Schiller
wrote an Indian Death song?
I’ll quote a few verses:
Public-domain text, read in full here on John Shaqi.
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