Cigar-store Indians -- Pictorial works; Indians of North America -- Statues
Sagamore, Sachem or Pow-wow 59
All High Rollers 63
Place aux Dames 65
A Poseur 75
Lady Enjoying the Weed 75
A Jolly Party 75
“And Last of All an Admiral Came” 75
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HUNTING INDIANS IN A TAXI-CAB
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HUNTING INDIANS IN A TAXI-CAB
I
TO make my title complete, it should read “Hunting Indians in a Taxi-cab
with a Camera.”
Nature lovers long since found out that the camera was the best weapon
to take into the woods, and mighty hunters are now depicted as using the
auto to carry them to the wild and to bring back their trophies.
It was reserved for one of my friends to follow the trail to the city of
New York, as his happy hunting ground and to hire a taxi-cab there for
the express purpose of hunting a desirable Tobacco Sign Indian. After
two days of vain search, he came across a prize.
The Indian stood, a splendid specimen, in Bleecker street, in front of a
combination barber and tobacco store; he was nine feet, seven inches
tall and was standing on a two-foot pedestal, posing as a Herald of
Choice Tobacco; an ignominious position for such a superb creature.
He was purchased, after a deal of haggling over the price, for he was
minus a nose and was at that time suffering from a bad weather crack
extending diagonally across his stomach, well up into his chest.
An old man on the same street, who was engaged to box and crate the
Indian, was deeply interested in him and also in the march of Time and
the disappearance of many of our traditions and relics in this
comparatively new country, and said to my friend, “You do well to
purchase one of these figures, for, sir, the Indians on the American
continent is fastly disappearing, both in flesh and wood.”
He was next sent to a cabinet maker to receive surgical treatment—his
rather serious wounds filled up and a new hawk-like nose grafted on in a
clever manner.
The proud owner writes, “I then turned him over to the Sign-painter, to
have his leather leggings, his warlike feathers, and a few other
accessories cleaned up and retouched.
“I got into some very interesting discussions with the Sign-painter on
High Art, what Art meant, and various kindred topics, while my Indian
was being rejuvenated. I wish I could remember some of these
conversations with the local Knight of the Brush, but we certainly
discussed some of the loftiest principles in his line of paint and
color.”
Public-domain text, read in full here on John Shaqi.
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