E-text prepared by Graeme Mackreth and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 59519-h.htm or 59519-h.zip: (https://www.gutenberg.org/cache/epub/59519/pg59519-images.html) or (https://www.gutenberg.org/files/59519/59519-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/huntinghun00belt HUNTING THE HUN [Illustration: Roadside Scene on the British Section of the Western Front] HUNTING THE HUN by CAPTAIN JAMES BELTON Late of the British and Canadian Forces and LIEUTENANT E. G. ODELL Late of the 24th Canadian Battalion, B.E.F. [Illustration] Illustrated D. Appleton and Company New York London 1918 Copyright, 1918, by D. Appleton and Company Printed in the United States of America FOREWORD Captain Belton and Lieutenant Odell's book of the war will be read with deep and sustained interest by everyone who wants to understand "the real thing." For myself I confess to being thrilled by the simple, direct, conversational style of the chapters describing the preparations for the attack on and ultimate capture of Vimy Ridge. The complete absence of any attempt at word-painting, the little touches of actuality, such as the pattern of white tapes on the practice ground which showed the conformation of the German trenches, and the method of signalling to the contact aeroplane during an advance--these features are at once novel and arresting. The story is told with the terseness of a despatch. You see the battalion gathering for its deadly work after the training is done; you plod with it in Indian file along the Aux Reitz communication trench; you sprawl with the officers and men in the "jumping-off" trench; you wonder whether the missing jar of rum will turn up in time, and, finally, you go "over the top" with what amounts to a sigh of relief that the ghastly period of waiting has ended and that the "Zero Hour" will mark either the end or the beginning of a strangely heroic experience. It is quite remarkable that a plain soldier should be able to give such life to his story. The achievement is a tribute to realism. Here is the truth, and nothing but the truth, so you accept every word for what it is worth, and are even glad to be spared the fine touches of the skilled literary hand.