Mr. Heritage laughed. "Now I can place you exactly. You like the meek
rhyme and the conventional epithet. Well, I don't. The world has passed
beyond that prettiness. You want the moon described as a Huntress or a
gold disc or a flower--I say it's oftener like a beer barrel or a
cheese. You want a wealth of jolly words and real things ruled out as
unfit for poetry. I say there's nothing unfit for poetry. Nothing,
Dogson! Poetry's everywhere, and the real thing is commoner among drabs
and pot-houses and rubbish heaps than in your Sunday parlours. The
poet's business is to distil it out of rottenness, and show that it is
all one spirit, the thing that keeps the stars in their place.... I
wanted to call my book '_Drains_,' for drains are sheer poetry, carrying
off the excess and discards of human life to make the fields green and
the corn ripen. But the publishers kicked. So I called it '_Whorls_,' to
express my view of the exquisite involution of all things. Poetry is the
fourth dimension of the soul.... Well, let's hear about your taste in
prose."
Mr. McCunn was much bewildered, and a little inclined to be cross. He
disliked being called Dogson, which seemed to him an abuse of his
etymological confidences. But his habit of politeness held.
He explained rather haltingly his preferences in prose.
Mr. Heritage listened with wrinkled brows.
"You're even deeper in the mud than I thought," he remarked. "You live
in a world of painted laths and shadows. All this passion for the
picturesque! Trash, my dear man, like a schoolgirl's novelette heroes.
You make up romances about gipsies and sailors and the blackguards they
call pioneers, but you know nothing about them. If you did, you would
find they had none of the gilt and gloss you imagine. But the great
things they have got in common with all humanity you ignore. It's
like--it's like sentimentalising about a pancake because it looked like
a buttercup, and all the while not knowing that it was good to eat."
At that moment the Australian entered the room to get a light for his
pipe. He wore a motor-cyclist's overalls and appeared to be about to
take the road. He bade them good night and it seemed to Dickson that his
face, seen in the glow of the fire, was drawn and anxious, unlike that
of the agreeable companion at dinner.
"There," said Mr. Heritage, nodding after the departing figure. "I dare
say you have been telling yourself stories about that chap--life in the
bush, stock-riding and the rest of it. But probably he's a bank-clerk
from Melbourne.... Your romanticism is one vast self-delusion and it
blinds your eye to the real thing. We have got to clear it out and with
it all the damnable humbug of the Kelt."
Mr. McCunn, who spelt the word with a soft "C," was puzzled. "I thought
a kelt was a kind of a no-weel fish," he interposed.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account