Windows and Doors Windows in the facade are unique in that they are set into recessed brick frames. While the frames in the root cellar are arched, those in the residence are square panels, with the window set into the center of the frame. According to architectural historian E. Blaine Cliver, the exterior window construction is quite simple with a double beaded frame set into the brick two to three inches from the front surface. The simplicity of the window framing, which is Federal in style, would place the house somewhat after the late Colonial period, in the early nineteenth century. Windows on the ground and first floor are six-over-six, double-hung sash, except adjacent to the entrance on the first floor porch where they are four-over-four. Windows on the second floor consist of a single, nine-pane sash, which opens to the side on hinges. The pane size is eight and a half inches by ten inches and a large portion of the glass is early. The exterior shutters consist of a single panel of fixed louvers and much shutter hardware survives. This includes several types of shutter stops, which are generally wrought rather than stamped. A fine boot scraper also exists at the rear first floor entrance. The door entrance in the south front has framing sidelights and an elliptical fanlight with wood tracery. In general, the oval fanlight came into use in the 1790's and went out of common use around 1825; although according to Mr. Cliver it probably was not common in this area until after 1800. The stiles of the entrance are basically the pilaster type although the reeding within the pilaster is rounded rather than flat. An opposing door at the north or rear of the center room was also originally exterior. The keystone over the fanlight has a beaded center portion which is similar to those found in the work of nineteenth century architect Asher Benjamin. Interior Features The center first floor room has a fine mantel which is also similar in proportion to the Federal styles of Benjamin. The mantel is somewhat busy, and a little heavy, yet it has delicate detail and reeding on the sides. The mantels in the side rooms are much simpler, as might be expected in ancillary rooms. Basically, however, their proportions are the same, dateable to the early nineteenth century but with much less style involved. All four of the side mantels are of the same basic design, but each has been given an individual detail or refinement.