Hurrell Froude: Memoranda and CommentsGuiney, Louise Imogen
History
Hurrell Froude: Memoranda and Comments
Guiney, Louise Imogen
Froude, Richard Hurrell, 1803-1836
Froude had always trimmed his sails not so much to the wind, as
according to a theory of navigation. It follows that ‘the picture of a
mind,’ his mind, such as his friends wished to exhibit it, was not a
‘necessity to the times’: in fact, it was an intrusion upon them. It
was in deadly hostility not only to their low ideals, but to their
ordinary characteristics and best accepted spirit. Froude, or his
unconscious influence, was only too well organised to ‘toss and gore
several persons,’ and the self-satisfied Establishment which had
honourably reared them. An illustration of existing contraries may not
be far to seek. Two good men of mark, born and dying in the roomy
Church of England, once expressed, each in his turn, his feeling about
his epitaph. Mr. Robert Southey was pleased to say (with what his age
considered perfect decorum, with what our age must admit to be perfect
truth): ‘I have this conviction: that die when I may, my memory is one
of those which will “smell sweet, and blossom in the dust.”’ He also
repeated the sentiment in verse. But the testamentary ideas of Richard
William Church ran in another mould:
‘_Rex tremendæ majestatis,
Qui salvandos salvas gratis,
Salva me, Fons Pietatis!_’
It is safe to predicate that thinking persons who sympathise with the
one, revolt from the other. Now the cleavage between the dispositions
which brought about these irreconcilable expressions, is the cleavage
in the national ideals. What is so sure of blossoming in the dust,
although professedly it lay all stress upon the Vicarious Atonement,
is Protestantism. The belief in the necessity of the co-operative
human will in the scheme of Redemption, although it attain only to an
awestruck hope of the Almighty Mercy, is, well――not precisely
Protestantism! Between the two moods there is no mutual approach,
still less, amalgamation: for between them is set up the Sign to be
contradicted. It is to be feared that Hurrell Froude, had he known of
an admired poet’s intention for ever to ‘smell sweet,’ could hardly
have been restrained from quoting his kinsman Hamlet’s ‘Pah!’ Piety
which of malice prepense smells sweet, will like Hurrell Froude no
better now than it liked him in the Tractarian twilight. It will be
seen that Mr. Southey was not enthusiastic over the _Remains_.
Public-domain text, read in full here on John Shaqi.
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