Hurrell Froude: Memoranda and CommentsGuiney, Louise Imogen
History
Hurrell Froude: Memoranda and Comments
Guiney, Louise Imogen
Froude, Richard Hurrell, 1803-1836
To put the _Remains_ on the open market was too bold a venture of
faith, though they would have served their dialectic purpose well, and
found their own readily, even had they been privately issued, even if
edited with greater reserve. It was quite natural that Froude should
have passed posthumously for a mere agitator given up to triviality
and impudence. If it were true that for him living, ‘one constantly
trembled, in mixed society,’ what can have possessed his Editors to
think that his anarchist voice (the voice, really, of a great
constructive critic) would be suffered in a four-volume monologue? All
he was, all he thought, separated him by whole elements and universes
from the ordinary citizen. Accost between them turned farcical in the
act: ‘as if a dog should try to make friends with a fish!’ His
disqualifications for the final mission given him were intellectual as
well as moral. To name but two among them, he was in love with the
‘Dark’ Ages, the fountainhead of hard logic and thorough
craftsmanship, and still more in love with the original document, at a
period when historical research was not only unfashionable, but
inferentially abhorred; and his animus must needs have seemed ‘Popish’
or worse, when it but led him to handle as self-evident fallacies the
darling predilections of centuries of British basilolatry.
It would have been bad enough had his convictions been expressed
always in academic terms, such as he himself, after all, did employ
pretty constantly in addressing the magazine public. But Hurrell’s
‘little language,’ superadded to his strong opinions, was too much for
a day of buckramed dignity. His verbal polity spared neither himself
nor the species, and it must have been appalling to others beside the
Holy Willies. Moreover, there was such gusto and emphasis in all he
said, that the effect was almost that, as it were, of calling a spade
a spade, with a plebeian ‘swear-word’ before it. Nobody else in that
English generation, not even Welby Pugin, dealt in so elastic a
vernacular. But surely, private letters may take what tone and pace
they please? Why did it not occur to everyone to allow, in extenuation
of this too lively fashion of ‘sparks running to and fro among the
reeds,’ that the Rev. Mr. Froude was young, and younger, moreover,
than his years? The ideas of personal chronology then current were
illiberal. We know that men and women aged thirty were looked upon as
fairly venerable figures in the world of our grandfathers, and were
bound to have shed the last of the pin-feathers of indiscretion. For
purposes of general protest against the common vanities of plumage,
primitive attire may with profit be retained: but it is likely to
enrage the barnyard. There is a good deal to be said for the speech
which suggests to us not Court dress, not even dressing-gown and
slippers, but overalls. It puts everything at once on a workmanlike
basis. A masterly critic has observed how great a debt Newman owed to
Public-domain text, read in full here on John Shaqi.
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