Hurrell Froude: Memoranda and CommentsGuiney, Louise Imogen
History
Hurrell Froude: Memoranda and Comments
Guiney, Louise Imogen
Froude, Richard Hurrell, 1803-1836
‘I can hardly shut up without telling you of such an interesting set
of fellows that we heard of in our peregrinations. They were sixteen
French fishermen and three boys, who had all come over, in one boat,
to get bait on the English coast, and were kept there ten days by the
wind: all that time they sat upon the deck knitting stockings and
nightcaps; and, when Sunday came, they were just so far out at sea
that the people on the coast could hear them singing the Roman
Catholic service so beautifully, and in the evening they came on
shore, and danced, out of mere jollity, for an hour. They were such
grateful fellows, that a gentleman on the coast who had done them some
kindness, could hardly get rid of them without his giving them some
commission to do for him in France, _i.e._ to let them smuggle
something over for him; and, when they could not remove his scruples
as a Justice of [the] Peace, they caught him an immense fish, and were
quite disappointed that he would not accept it as a present.’
The great mass of Keble’s letters to his pupil and friend have
disappeared: but we have the answer promptly sent to this, and written
with his own winning humility. ‘For your telling me exactly what you
think about [the verses] I shall hold you in greater honour as long as
I live.’ He goes on, sweetly and sagaciously, to explain that _The
Christian Year_ but aimed at helping ‘the plain and good.’[32] It will
be remembered that the archpriest of letters, Mr. William Wordsworth,
once offered to go over _The Christian Year_, with a view to
correcting the English. To that height Hurrell could not rise.
To the Rev. JOHN KEBLE, Dec. 6, 1825.
‘“Sir, my dear friend,” you cannot tell how much I am obliged to you
for your benevolence to my last letter, but that does not make me the
less a fool for having expressed myself so; and what provokes me most
of all is that I did not give myself fair play by not writing till my
opinions had settled; for as far as my memory goes, I think they are
now undergoing a revolution, and that if I were to see the pottery[33]
in question again, I should think quite differently of it. There is
something about them which leaves (to use the words of our friend Tom
Moore)
‘“A sad remembrance fondly kept
When all lighter thoughts are faded.”
Public-domain text, read in full here on John Shaqi.
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