Price,
Ten Cents. THE ARM CHAIR LIBRARY. No. 141.
[Illustration: _HUSKS_
_By Marion Harland_]
F. M. LUPTON, - PUBLISHER, - NEW YORK.
HUSKS.
BY MARION HARLAND.
CHAPTER I.
It was a decided uncompromising rainy day. There were no showers,
coquetted with by veering winds or dubious mists, that at times grew
brighter, as if the sun were burning away their lining; but a uniform
expanse of iron-gray clouds--kept in close, grim column by a steady,
although not violent east wind--sent straight lines of heavy rain upon
the earth. The naked trees, that, during the earlier hours of the
deluge had seemed to shiver for the immature leaf-buds, so unfit to
endure the rough handling of the storm, now held out still, patient
arms, the rising sap curdled within their hearts. The gutters were
brimming streams, and the sidewalks were glazed with thin sheets of
water.
The block of buildings before which our story pauses, was, as a glance
would have showed the initiated in the grades of Gotham life, highly
respectable, even in the rain. On a clear day when the half-folded
blinds revealed the lace, silken and damask draperies within, when
young misses and masters--galvanized show-blocks of purple and fine
linen, that would have passed muster behind the plate-glass of Genin
or Madame Demorest--tripped after hoops or promenaded the smooth
pavement; when pretty, jaunty one-horse carriages, and more pretentious
equipages, each with a pair of prancing steeds, and two "outside
passengers" in broadcloth and tinsel hatbands, received and discharged
their loads before the brown-stone fronts--had the afore-mentioned
spectator chanced to perambulate this not spacious street, he would
have conceded to it some degree of the fashion claimed for it by its
inhabitants. There were larger houses and wider pavements to be had for
the same price a few blocks further on, in more than one direction,
but these were unanimously voted "less eligible" and "deficient in
style," in spite of the fact that as good and better materials were
employed in their construction, and they were in all respects equal in
external show and inside finish to those in this model quarter. "But
our block has a certain air--well--I don't know what; but it is just
the thing, you know, and so convenient! So near the avenue!" would be
the concluding argument.
The nameless, indescribable charm of the locality lay in the last
clause. "Just step around the corner and you are in the avenue," said
the favored dwellers in this vicinity, as the climax in the description
of their abode, and "that way fashion lies" to every right-minded New
Yorker of the feminine gender.
Public-domain text, read in full here on John Shaqi.
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