"Yours will be the prettiest," remarked Lucy regretfully. "Blue never looks well in worsteds. Why, I can't say, I'm sure. It is too bad that I can wear so few other colors. But I am such a fright in pink or scarlet or any shade of red!" "As if you could be a fright in anything," returned her companion, with seeming indignation. Lucy smiled, showing a set of faultless teeth that, to a stranger's first glance, would have appeared by far the most attractive point of her physiognomy. If closer examination discovered that her skin was pearly in whiteness and transparency, that her form was exquisite, with a sort of voluptuous grace; her hands worthy, in shape and hue, to become a sculptor's model; still, in the cold, unflattering light of this rainy afternoon her want of color, her light gray eyes, her yellow hair, drawn straight back from the broad, low brow, precluded the idea that she could ever, with all the accessories of artificial glare, dress and animation, be more than a merely pretty girl. Miss West knew better, and Lucy realized the power of her own charms with full and complete complacency. Secure in this pleasant self-appreciation, she could afford to be careless as to her every-day looks and home people. She saw and enjoyed the manifest surprise of those who, having seen her once in morning deshabille, beheld her afterwards in elaborate evening toilet. Then the abundant hair waved in golden ripples about the classic head, the most artfully simple of tasteful ornaments--a camellia, a rosebud, or a pearl hairpin, its sole adornment; her eyes, large, full and soft, were blue instead of gray, while the heat of the assembly-room, the excitement of the crowd, or the exultation of gratified vanity supplied the rounded cheek with rich bloom and dewy vermillion to the lips. But nature's rarest gift to her was her voice, a mellow contralto, whose skillful modulations stole refreshingly to the senses amid the sharp clash of strained and higher tones, the castanet-like jingle which most American belles ring unmercifully into the ears of their auditors. Lucy Hunt was not "a great talker," still less was she profound or brilliant when she did speak; yet she invariably conveyed the impression to the mind of a new acquaintance of a thoroughly cultivated woman, one whose acquirements were far beyond her modest exhibition of thought and sentiment. The most commonplace phrase came smoothly and roundly from her tongue, and he was censorious indeed who was willing to lose the pleasure afforded by its musical utterance in weighing its meaning. At school she had never been diligent, except in the study of music, and her painstaking in this respect was rewarded by the reputation, justly earned, of being the finest vocalist in her circle of associates. In society she shone as a rising star of the first magnitude; at home she was happy, cheerful and indolently amiable. Why should she be otherwise? From her babyhood