Hymn Stories of the Twentieth CenturyHart, William J. (William John)
Religion
Hymn Stories of the Twentieth Century
Hart, William J. (William John)
Hymns, English -- History and criticism
“And crown Him Lord of all.”
Nature Gave the Perfect Touch
Some of the great moments of a lifetime were experienced by lovers of
sacred music on an evening in late June, 1931, at the stadium of Cornell
University. The Westminster Choirs, arrayed in their resplendent robes,
sang under the leadership of the distinguished conductor, Dr. J. Finley
Williamson. A representative of The Syracuse Post-Standard thus sketched
the event for his newspaper:
“The scene:—Eleven harps were ranged on the velvet green in front of
the singers. The skies were hung with black clouds for a canopy. The
soft beauty of the marvellous scenery, as far as the eye could reach,
surrounded all. Lightning darted through the clouds, and the low
rumble of thunder was a background for the celestial music of the
harps as they played the hymn:
“‘Day is dying in the west;
Heaven is touching earth with rest:
Wait and worship while the night
Sets her evening lamps alight
Through all the sky.’
“When the voices, in unison with the harps, hummed the melody, it was
something to be cherished in memory. Words fail to describe adequately
the impression. It was the perfect touch that only nature is able to
give to human effort.”
During such sublime moments the musicians passed to the close of the
hymn:
“Holy, holy, holy, Lord God of hosts!
Heaven and earth are full of Thee!
Heaven and earth are praising Thee,
O Lord most high!”
The music combined with the display of nature to induce a mood which
brought God very close to his earthly children that June afternoon.
The Bells of Trinity
Startled as he wandered rather aimlessly amid lower New York, a
distinguished visitor listened to the Bells of Trinity Church as they
joyously pealed forth the strains of:
“Hark, hark, my soul! angelic songs are swelling
O’er earth’s green fields and ocean’s wave-beat shore;
How sweet the truth those blessèd strains are telling
Of that new life when sin shall be no more!”
The music fell with soul-stirring effect on the ears of Dr. John A.
Hutton, long-time editor of _The British Weekly_, who was in the United
States, as he frequently was in summer-time, to fulfill engagements in
preaching and lecturing.
The location of Trinity Church, whence came the eventide music, deepened
the interest in the hymn. Said Dr. Hutton: “I was hearing the Lord’s
song just where the Lord’s song stands in most need of being heard, and
just where the Lord’s song sounds most sweetly. I was hearing the Lord’s
song in a strange land.” Down opposite Wall street, “Where Mammon holds
the throne, dwarfed and almost overshadowed by immense business and
financial houses, rises the spire of Trinity.” Hence, “where men were
engrossed in the things of time and sense, there fell upon the ear a
song that spoke of heaven.”
Public-domain text, read in full here on John Shaqi.
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