Hymn Stories of the Twentieth Century — John Shaqi
Hymn Stories of the Twentieth CenturyHart, William J. (William John)
Religion
Hymn Stories of the Twentieth Century
Hart, William J. (William John)
Hymns, English -- History and criticism
“I need Thee, O I need Thee,
Every hour I need Thee;
O bless me now, my Saviour,
I come to Thee!”
“It was one of those rare moments,” said Dr. Bond to his English
readers, “when a great tide of emotions sweeps over a big assembly and
carries it out of itself.”
Northfield’s Festival of Sacred Music
The Northfield Festival of Sacred Music when introduced into the program
of the Northfield General Conference in the decade preceding World War
II proved to be a thrilling moving event. Coming on the closing Sunday
of the many summer programs, it brought immense crowds to the annual
gathering at East Northfield which D. L. Moody made so popular by the
list of distinguished speakers that he enlisted from British and
American pulpits and educational institutions.
The fact that the Westminster Choir Summer School was holding its
sessions at Mount Hermon, just a short distance across the river, with
Dr. John Finley Williamson at its head, made possible Northfield’s
festival of sacred music. Choirs from neighboring communities united
with the group at the summer school, and for six weeks five hundred
singers prepared for the memorable occasion.
Twice the writer was in attendance. Much alike each year, yet particular
interest attached itself to 1937. This was the season of the D. L. Moody
Centenary Celebration, and the fifty-eighth session of the Northfield
General Conference. The Festival Choir was divided into a few different
groups for various purposes. Yet when the hymns were sung these all
participated, and the audience was invited to join them.
Within five minutes after the entrances were opened the great auditorium
was filled. People also stood in a solid line near the walls. Newspapers
reported that about two thousand additional people also stood outside in
the hot sun during the rendering of the program, a part of which was
broadcast.
The audience, inside and outside the building, had its first opportunity
to sing when they united in Luther’s soul-stirring hymn:
“A mighty fortress is our God,
A bulwark never failing.”
The singing company made the most of it. “The very walls shook,” said my
friend in the next seat.
The next hymn selection was that which came from Toplady. This the
audience knew well, and sang with affectionate enthusiasm:
“Rock of Ages, cleft for me,
Let me hide myself in Thee.”
Public-domain text, read in full here on John Shaqi.
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