Hymn Stories of the Twentieth CenturyHart, William J. (William John)
Religion
Hymn Stories of the Twentieth Century
Hart, William J. (William John)
Hymns, English -- History and criticism
“Everybody knows ‘Holy Night,’” remarked a young woman of large musical
ability, born in Russia. Her parentage was English and German, and she
had cousins in each of the three nations. She sat down at the piano and
began to play the song.
An American concert singer with a rare voice, invited in for the
occasion, stood by her and led. Those who spoke English began to sing:
“Silent night, holy night,
All is calm, all is bright.”
One after another others joined, and soon, French, Swiss, German,
Austrian, Belgian, Pole, Russian and Italian were all singing together
the same message to the same music—but each in her own tongue.
“If we all start from Christ,” said Henry Churchill King, who once
related this incident, “the nations can come into harmony, even though
each sings in its own tongue.”
Unifying Influence of Song at Eastertide
The spirit of Easter has an exhilarating effect on all peoples in
Christian lands. The following from the news columns of _The New York
Times_ on Easter Monday (April 26, 1943) indicates that representatives
of various nationalities entered into the joy of the festive season.
Among the many services described that day was the sunrise service at
Central Park, as follows:
More than 6,000 persons gathered for the annual service on the Mall in
Central Park at 7 A.M. A group of Waves and Spars and members of the
Marine Corps Auxiliary served as ushers. The services were principally
musical, with the singing of Easter hymns by various foreign-language
groups, as well as hymns in English.
The services were opened with the singing of “The Star-Spangled Banner”
by Miss Lucy Monroe, accompanied by the Maritime Band, and continued
with the singing of hymns by choirs from foreign-language churches in
the metropolitan area. Twelve Mohawk Indians in tribal regalia, the
choir of the Cuyler Presbyterian Church, Brooklyn, sang “Up From the
Grave He Rose,” and a group of sixteen Chinese children sang the same
hymn in their native tongue.
The choir of the Russian Evangelical Pentecostal Church sang the hymn,
“He Arose From the Dead,” in Russian, and “He Lives” was sung by an
Italian choir led by the Rev. D. Lisciandrello, pastor of Calvary
Church, Brooklyn.
Other foreign language groups participating included the Syrian
Protestant Church, Brooklyn; the Spanish Christian Church, and a Polish
choir.
People of many lands, therefore, sang in their own tongue the glad story
of the resurrection of Christ.
CHAPTER X
PATRIOTIC MUSIC IN WAR AND PEACE
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account