The beauty of the church hymn implies further that its line of thought and disposition be clear and well arranged, that each stanza express a complete thought, and that there be not too many stanzas—the church hymn must not be too long. The phraseology, syntax and metrical form must be free from such defects as mar and desecrate the sublime content of the hymn or make it offensive, unclear, or even incomprehensible to the congregation. This does not mean to commend that vandalism whereby modernists have sought to remove from the old church hymns every obsolete word and construction as well as everything which seemed to be at variance with the rules of secular poetry—a process whereby many excellent old church hymns have been deprived of their original power and simplicity. Most certainly, revision and purification of the outer form of the old church hymns is sometimes necessary, in order to make them popularly intelligible and usable. But such revision and purification should be undertaken only by Christians of poetic mind and sound authority. SECTION II THE LUTHERAN HYMN BOOK OR THE ARRANGEMENT OF THE HYMNS IN THE HYMNAL Two different hymnological methods of disposition have arisen historically within the Church, namely, the _dogmatic_ or the _dogmatic-ethical_ method, and the _liturgical_ method. The former method came into existence in the eighteenth century. By this method the hymns in the hymnal are arranged according to the usual order of dogmatics. For an illustration of this method of arranging the hymns, look into almost any good hymnal of the Reformed Church; The Methodist Hymnal, for example. The liturgical method is the original, the standard, and the correct method of disposition. In support of this assertion, it may be well to observe that since the Lutheran hymnal is a liturgical book, a book intended for the needs of the worshipping congregation, the succession of the hymns as well as their content and character should reflect the spirit of the Church, as it finds immediate expression in the cultus and its various acts, and as it seeks indirectly to exert a hallowing influence on social life in larger or smaller circles. It may be well to take a general view of the main factors or stages of this liturgical work of the Church, so as to see more clearly what subjects may be considered in the hymn book and in what order the various subjects or rubrics may follow each other.