Hymns -- History and criticism; Lutheran Church -- Hymns -- History and criticism
With this character of religious truth in the objective sense, or the
conformity of the church hymn to Holy Writ, goes also the matter of
religious truth in the subjective or psychological sense. This means
that the religious experience, expressed in the church hymn, is not
merely a product of human imagination, more or less foreign to those who
gather their spiritual life and their soul experiences from the fountain
of Holy Writ under the guidance of the Holy Spirit, but it is far more
an experience gained from the reality of true spiritual life, and
thoroughly accordant therewith, something to which, therefore, every
true Christian can easily agree.
Finally, the Biblical character of the true church hymn reveals itself
also in the style of language, which follows very closely Biblical
expression, idiom and form. The language of the church hymn harmonizes
very well with that type of religious language which has attained a deep
appreciation among Christians; the language of the popular old religious
books of the Church; Biblical language. This old hymnic language
possesses very decidedly a character of immortality, depending upon the
character of the content, whose linguistic garb it is, and with which it
has become so closely united. As the content is rooted in eternity and
fundamentally consists of God’s incorruptible thoughts and works, so the
hymnic language, which is the vessel for these realities of the eternal
world, in a way also attains a character of eternity. The history of the
church hymns also shows very clearly that whenever this peculiar
character of hymnic language has been disregarded, whenever there have
been vigorous attempts at modernization of the good old church hymns,
when new and modern hymns have been sought, to satisfy some modern
aesthetic or aristocratic need, then the true church hymn has suffered
very greatly and lost much of its original soundness and genuineness.
Indeed, the hymn writer, like any other poet, is influenced more or less
by his age; his hymns may show more or less the influence of the
peculiar turn of mind, the stage of development and the demands of the
age in which he lives; personal ability as a poet and personal life
experiences may be distinctly reflected in his hymns. But it should also
be true, that if the poet is a sincere student and lover of the Bible
and delights in singing its praises, then his hymns ought to possess
Biblical tone and content, since there is a very close union between
content and form in every human religious product. A church hymn
possessing Biblical tone and language ought to be understood and
appreciated by the present age. Biblical language is antique but it will
never be antiquated; it is old but eternally new and youthful. In all
ages and in all churches the thoroughly Biblical church hymn holds the
prize for youthful health and beauty.
2. The congregational character of the church hymn:
Public-domain text, read in full here on John Shaqi.
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