The Rev. S. Baring Gould was the author of one hundred and forty books, showing versatility of genius in these works of religion, fiction, folklore, mythology, travel, biography, art. Many of these writings will doubtless be forgotten when a hymn which he improvised and wrote in great haste, as a marching song for a band of schoolchildren in his parish, will continue to be remembered. About this hymn, “Onward, Christian Soldiers,” the author once wrote, “Certainly nothing has surprised me more than its great popularity.” The universal appeal of this hymn has justly made it a heritage of Christian civilization. It belongs to every church and nation and no one thinks of the author as an Anglican rector but as a large-hearted soul, which he truly was. It is sung by surpliced choir boys in the incense-laden air of Roman Catholic churches; and by lads without vestments in the plain country church; by the Knights of Columbus and by the Knights Templar; by Presbyterians, Methodists, Baptists and every other denomination. Indeed, it is used by all Christians as a rallying call and it will so continue till the church militant becomes the Church triumphant. The romance of American history is impressively illuminated by A Shrine Created by a Song “There’s a church in the valley by the wildwood”—this song has been sung for threescore years and more in all the world. It has furthermore made famous “The Little Brown Church in the Vale,” located in the village of Nashua, Iowa. The associations of this sanctuary go back to early pioneer days when the settlers contributed lumber, logs, stone and labor for its erection. Dr. W. S. Pitts, a physician who had helped to build this church, was inspired to write the song. The railroad came in 1868 to Nashua and the Little Brown Church began to thrive as the population had now increased to about a thousand. Dr. Pitts taught a singing school in Bradford, a few miles away. It was necessary to have an organ but the only instrument in all this region was in the Little Brown Church. His song at once gained popularity. Jubilee singers took it up and concert companies carried it all over America and Europe. It was even heard in New Zealand, Australia and South America. The song was then forgotten and with the drift of the population away from the country the Little Brown Church was abandoned. But about twenty-five years ago the old song was revived and an interest in the little church was quickened. It was restored to its original condition, largely due to the song it had inspired. Every year thousands of visitors go to Nashua to see it. It has also become a sort of Gretna Green, for over five hundred couples have been married there. Indeed, the church is largely supported by these fees and it continues to do the work of a real country church. Seldom have a church and a song been so closely identified as in this instance.