Flemming had already lived through the oliveage. He was passing into
the age of bronze, into his early manhood; and in his hands the flowers
of Paradise were changing to the sword and shield.
And this reminds me, that I have not yet described my hero. I will do
it now, as he stands looking down on the glorious landscape;--but in
few words. Both in person and character he resembled Harold, the
Fair-Hair of Norway, who is described, in the old Icelandic Death-Song
of Regner Hairy-Breeches, as "the young chief so proud of his flowing
locks; he who spent his mornings among the young maidens; he who loved
toconverse with the handsome widows." This was an amiable weakness; and
it sometimes led him into mischief. Imagination was the ruling power of
his mind. His thoughts were twin-born; the thought itself, and its
figurative semblance in the outer world. Thus, through the quiet, still
waters of his soul each image floated double, "swan and shadow."
These traits of character, a good heart and a poetic imagination, made
his life joyous and the world beautiful; till at length Death cut down
the sweet, blue flower, that bloomed beside him, and wounded him with
that sharp sickle, so that he bowed his head, and would fain have been
bound up in the same sheaf with the sweet, blue flower. Then the world
seemed to him less beautiful, and life became earnest. It would have
been well if he could have forgotten the past; that he might not so
mournfully have lived in it, but might have enjoyed and improved the
present. But this his heart refused to do; and ever, as he floated upon
the great sea of life, he looked down through thetransparent waters,
checkered with sunshine and shade, into the vast chambers of the mighty
deep, in which his happier days had sunk, and wherein they were lying
still visible, like golden sands, and precious stones, and pearls; and,
half in despair, half in hope, he grasped downward after them again,
and drew back his hand, filled only with seaweed, and dripping with
briny tears!--And between him and those golden sands, a radiant image
floated, like the spirit in Dante's Paradise, singing "Ave-Maria!" and
while it sang, down-sinking, and slowly vanishing away.
The truth is, that in all things he acted more from impulse than from
fixed principle; as is the case with most young men. Indeed, his
principles hardly had time to take root; for he pulled them all up,
every now and then, as children do the flowers they have planted,--to
see if they are growing. Yet there was much in him which was good; for
underneath the flowers and green-sward of poetry, and the good
principles which would have taken root, had he given them time,
therelay a strong and healthy soil of common sense,--freshened by
living springs of feeling, and enriched by many faded hopes, that had
fallen upon it like dead leaves.
CHAPTER IV. THE LANDLADY'S DAUGHTER.
Public-domain text, read in full here on John Shaqi.
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