"O scream, squeak, mew, gurgle, groan, agonize, quiver, quaver, just as
much as you please, Madam,--I have my foot on the fortissimo pedal, and
thunder myself deaf! O Satan, Satan! which of thy goblins damned has
got into this throat, pinching, and kicking, and cuffing the tones
about so! Four strings have snapped already, and one hammer is lamed
for life. My ears ring again,--my head hums,--my nerves tremble! Have
all the harsh notes from the cracked trumpet of a strolling-player been
imprisoned in this little throat! (But this excites me,--I must drink a
glass of Burgundy.)
"The applause was unbounded; and some one observed, that the
Finanzräthin and Mozart had put me quite in a blaze. I smiled with
downcast eyes, very stupidly. I could but acknowledge it. And now all
talents, which hitherto had bloomed unseen, were in motion, wildly
flitting to and fro. They were bent upon a surfeit of music; tuttis,
finales, choruses must be performed. The Canonicus Kratzer sings, you
know, a heavenly bass, as was observed by the gentleman yonder, with
the head of Titus Andronicus, who modestly remarked also, that he
himself was properly only a second-ratetenor; but, though he said it,
who should not say it, was nevertheless member of several academies of
music. Forthwith preparations are made for the first chorus in the
opera of Titus. It went off gloriously. The Canonicus, standing close
behind me, thundered out the bass over my head, as if he were singing
with bass-drums and trumpet obbligato in a cathedral. He struck the
notes gloriously; but in his hurry he got the tempo just about twice
too slow. However, he was true to himself at least in this, that
through the whole piece he dragged along just half a beat behind the
rest. The others showed a most decided penchant for the ancient Greek
music, which, as is well known, having nothing to do with harmony, ran
on in unison or monotone. They all sang treble, with slight variations,
caused by accidental rising and falling of the voice, say some quarter
of a note.
"This somewhat noisy affair produced a universal tragic state of
feeling, namely a kind of terror, even at the card-tables, which for
the momentcould no longer, as before, chime in melodramatic, by weaving
into the music sundry exclamations; as, for instance;
" 'O! I loved,--eight and forty,--was so happy,--I pass,--then I knew
not,--whist,--pangs of love,--follow suit,' etc.--It has a very pretty
effect. (I fill my glass.)
"That was the highest point of the musical exhibition this evening.
'Now it is all over,' thought I to myself. I shut the book, and got up
from the piano-forte. But the baron, my ancient tenor, came up to me,
and said;
" 'My dear Herr Capellmeister, they say you play the most exquisite
voluntaries! Now do play us one; only a short one, I entreat you!'
Public-domain text, read in full here on John Shaqi.
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