"I answered very drily, that to-day my fantasies had all gone a
wool-gathering; and, while we are talking about it, a devil, in the
shape of a dandy, with two waistcoats, had smelt out Bach's Variations,
which were lying under my hat in the next room. He thinks they are
merely little variations, such as Nel cor mio non più sento, or Ah,
vous dirai-je, maman, etc., and insists upon it, that I shall play
them. I try to excuse myself, but they all attack me. So then, 'Listen,
and burst with ennui,' think I to myself,--and begin to work away.
"When I had got to variation number three, several ladies departed,
followed by the gentleman with the Titus-Andronicus head. The
Rödeleins, as their teacher was playing, stood it out, though not
without difficulty, to number twelve. Number fifteen made the man with
two waistcoats take to his heels. Out of most excessive politeness, the
Baron stayed till number thirty, and drank up all the punch, which
Gottlieb placed on the piano-forte for me.
"I should have brought all to a happy conclusion, but, alas! this
number thirty,--the theme,--tore me irresistibly away. Suddenly the
quarto leaves spread out to a gigantic folio, on which a thousand
imitations and developments of the theme stood written, and I could not
choose but play them. The notes became alive, and glimmered and hopped
all round about me,--an electric firestreamed through the tips of my
fingers into the keys,--the spirit, from which it gushed forth, spread
his broad wings over my soul, the whole room was filled with a thick
mist, in which the candles burned dim,--and through which peered forth
now a nose, and anon a pair of eyes, and then suddenly vanished away
again. And thus it came to pass, that I was left alone with my
Sebastian Bach, by Gottlieb attended, as by a familiar spirit. (Your
good health, Sir.)
"Is an honest musician to be tormented with music, as I have been
to-day, and am so often tormented? Verily, no art is so damnably
abused, as this same glorious, holy Musica, who, in her delicate being,
is so easily desecrated. Have you real talent,--real feeling for art?
Then study music;--do something worthy of the art,--and dedicate your
whole soul to the beloved saint. If without this you have a fancy for
quavers and demi-semi-quavers, practise for yourself and by yourself,
and torment not therewith the Capellmeister Kreisler and others.
Public-domain text, read in full here on John Shaqi.
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