And again the crystal lips of the goblets kissed each other, with a musical chime, as of evening bells at vintage-time from the villages on the Rhine. Of a truth, I do not much wonder, that the Germanpoet Schiller loved to write by candle-light with a bottle of Rhine-wine upon the table. Nor do I wonder at the worthy schoolmaster Roger Ascham, when he says, in one of his letters from Germany to Mr. John Raven, of John's College; `Tell Mr. Maden I will drink with him now a carouse of wine; and would to God he had a vessel of Rhenish wine; and perchance, when I come to Cambridge, I will so provide here, that every year I will have a little piece of Rhenish wine.' Nor, in fine, do I wonder at the German Emperor of whom he speaks in another letter to the same John Raven, and says, `The Emperor drank the best that I ever saw; he had his head in the glass five times as long as any of us, and never drank less than a good quart at once of Rhenish wine.' These were scholars and gentlemen. "But to resume our old theme of scholars and their whereabout," said the Baron, with an unusual glow, caught no doubt from the golden sunshine, imprisoned, like the student Anselmus, in the glass bottle; "where should the scholar live? In solitudeor in society? In the green stillness of the country, where he can hear the heart of nature beat, or in the dark, gray city, where he can hear and feel the throbbing heart of man? I will make answer for him, and say, in the dark, gray city. Oh, they do greatly err, who think, that the stars are all the poetry which cities have; and therefore that the poet's only dwelling should be in sylvan solitudes, under the green roof of trees. Beautiful, no doubt, are all the forms of Nature, when transfigured by the miraculous power of poetry; hamlets and harvest-fields, and nut-brown waters, flowing ever under the forest, vast and shadowy, with all the sights and sounds of rural life. But after all, what are these but the decorations and painted scenery in the great theatre of human life? What are they but the coarse materials of the poet's song? Glorious indeed is the world of God around us, but more glorious the world of God within us. There lies the Land of Song; there lies the poet's native land. The river of life, that flows through streets tumultuous, bearingalong so many gallant hearts, so many wrecks of humanity;--the many homes and households, each a little world in itself, revolving round its fireside, as a central sun; all forms of human joy and suffering, brought into that narrow compass;--and to be in this and be a part of this; acting, thinking, rejoicing, sorrowing, with his fellow-men;--such, such should be the poet's life. If he would describe the world, he should live in the world. The mind of the scholar, also, if you would have it large and liberal, should come in contact with other minds. It is better that his armour should be somewhat bruised even by rude encounters, than hang forever rusting on the wall.