"The Boy's Wonder-Horn!" said Flemming, after a short pause, for the
name seemed to have thrown him into a reverie;--"I know the book almost
by heart. Of all your German books it is the one which produces upon my
imagination the most wild and magic influence. I have a passion for
ballads!"
"And who has not?" said the Baron with asmile. "They are the
gypsy-children of song, born under green hedgerows, in the leafy lanes
and by-paths of literature,--in the genial summer-time."
"Why do you say summer-time and not summer?" inquired Flemming. "The
expression reminds me of your old Minnesingers;--of Heinrich von
Ofterdingen, and Walter von der Vogelweide, and Count Kraft von
Toggenburg, and your own ancestor, I dare say, Burkhart von Hohenfels.
They were always singing of the gentle summer-time. They seem to have
lived poetry, as well as sung it; like the birds who make their
marriage beds in the voluptuous trees."
"Is that from Shakspere?"
"No; from Lope de Vega."
"You are deeply read in the lore of antiquity, and the Aubades and
Watch-Songs of the old Minnesingers. What do you think of the
shoe-maker poets that came after them,--with their guilds and
singing-schools? It makes me laugh to think how the great German
Helicon, shrunk toa rivulet, goes bubbling and gurgling over the pebbly
names of Zwinger, Wurgendrussel, Buchenlin, Hellfire, Old Stoll, Young
Stoll, Strong Bopp, Dang Brotscheim, Batt Spiegel, Peter Pfort, and
Martin Gumpel. And then the Corporation of the Twelve Wise Masters,
with their stumpfereime and klingende-reime, and their Hans Tindeisen's
rosemary-weise; and Joseph Schmierer's flowery-paradise-weise, and
Frauenlob's yellow-weise, and blue-weise, and frog-weise, and
looking-glass-weise!"
"O, I entreat you," exclaimed Flemming, laughing, "do not call those
men poets! You transport me to quaint old Nuremberg, and I see Hans
Sachs making shoes, and Hans Folz shaving the burgomaster."
"By the way," interrupted the Baron, "did you ever read Hoffmann's
beautiful story of Master Martin, the Cooper of Nuremberg? I will read
it to you this very night. It is the most delightful picture of that
age, which you can conceive. But look! the sun has already set
behindthe Alsatian hills. Let us go up to the castle and look for the
ghost in Prince Ruprecht's tower. O, what a glorious sunset!"
Flemming looked at the evening sky, and a shade of sadness stole over
his countenance. He told not to his friend the sorrow, with which his
heart was heavy; but kept it for himself alone. He knew that the time,
which comes to all men,--the time to suffer and be silent,--had come to
him likewise; and he spake no word. O well has it been said, that there
is no grief like the grief which does not speak.
CHAPTER III. OWL-TOWERS.
Public-domain text, read in full here on John Shaqi.
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