Flemming was still sitting with the ladies, on the green slope near the
Staubbach, or Brook of Dust, when a young man clad in green, came down
the valley. It was a German student, with flaxen ringlets hanging over
his shoulders, and a guitar in his hand. His step was free and elastic,
and his countenance wore the joyous expression of youth and health. He
approached the company with a courteous salutation; and, after the
manner of travelling students, asked charity with the confident air of
one unaccustomed to refusal. Nor was he refused in this instance. The
presence of those we love makes us compassionate and generous. Flemming
gave him a piece of gold; and after a short conversation he seated
himself, at alittle distance on the grass, and began to play and sing.
Wonderful and many were the sweet accords and plaintive sounds that
came from that little instrument, touched by the student's hand. Every
feeling of the human heart seemed to find an expression there, and
awaken a kindred feeling in the hearts of those who heard him. He sang
sweet German songs, so full of longing, and of pleasing sadness, and
hope and fear, and passionate desire, and soul-subduing sorrow, that
the tears came into Mary Ashburton's eyes, though she understood not
the words he sang. Then his countenance glowed with triumph, and he
beat the strings like a drum, and sang;
"O, how the drum beats so loud!
Close beside me in the fight,
My dying brother says, Good Night!
And the cannon's awful breath
Screams the loud halloo of Death!
And the drum,
And the drum,
Beats so loud!"
Many were the words of praise, when the young musician ended; and, as
he rose to depart, they still entreated for one song more. Whereupon he
played a lively prelude; and, looking full into Flemming's face, sang
with a pleasant smile, and still in German, this little song.
"I KNOW a maiden fair to see,
Take care!
She can both false and friendly be,
Beware! Beware!
Trust her not,
She is fooling thee!
"She has two eyes, so soft and brown,
Take care!
She gives a side-glance and looks down,
Beware! Beware!
Trust her not,
She is fooling thee!
"And she has hair of a golden hue,
Take care!
And what she says, it is not true,
Beware! Beware!
Trust her not,
She is fooling thee!
"She has a bosom as white as snow,
Take care!
She knows how much it is best to show,
Beware! Beware!
Trust her not,
She is fooling thee!
"She gives thee a garland woven fair,
Take care!
It is a fool's cap for thee to wear,
Beware! Beware!
Trust her not,
She is fooling thee!"
The last stanza he sung in a laughing, triumphant tone, which resounded
above the loud clang of his guitar, like the jeering laugh of Till
Eulenspiegel. Then slinging his guitar over his shoulder, he took off
his green cap, and made a leg to the ladies, in the style of Gil Blas;
waved his hand in the air, and walked quickly down the valley, singing
"Adé! Adé! Adé!"
CHAPTER VIII. THE FOUNTAIN OF OBLIVION.
Public-domain text, read in full here on John Shaqi.
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