Hypolympia; Or, The Gods in the Island, an Ironic FantasyGosse, Edmund
Science
Hypolympia; Or, The Gods in the Island, an Ironic Fantasy
Gosse, Edmund
Gods, Greek -- Drama
Oh, no! that was just it. She always said: "Pray don't let me hear
the least thing about the horrid place." You remember that she very
strongly disapproved of my going there at all----
CHLORIS.
Yes; I remember that Arethusa, when she brought me back my
daffodils, told me how angry Demeter was----
PERSEPHONE.
And yet she was quite nice to my husband when once Zeus had decided
that I had better go.
[_There is a pause._ MAIA _rises and leans on the parapet, over the
woods, now drowned in twilight, to the sea, which still faintly
glitters. She turns and comes back to the other two, standing
above them._]
MAIA.
I, too, might have observed something as I went sailing over the
purpureal ocean. But I was always talking to my sisters. The fact
is we all of us neglected to learn anything about death.
CHLORIS.
We thought of it as of something happening in that world of Hades
which could never become of the slightest importance to us. Who
could have imagined that we should have to take it into practical
account?
MAIA.
Well, now we shall have to accept it, to be prepared for its
tremendous approach.
CHLORIS [_after a pause_].
Perhaps this famous "death" may prove after all to be only another
kind of life. [_Rising and approaching_ MAIA.] Don't you think this
is indicated even by the song of these barbarians? Besides, our
stay here must be the ante-chamber to something wholly different.
MAIA.
We can hardly suppose that it can lead to nothing.
CHLORIS.
No; surely we shall put off more or less leisurely, with dignity or
without it, the garments of our sensuous existence, and discover
something underneath all these textures of the body?
PERSEPHONE.
One of our priests in Hades, I do remember, sang that silence was
a voice, and declared that even in the deserts of immensity the soul
was stunned and deafened by the chorus and anti-chorus of nature.
CHLORIS.
What did he mean? What is the soul?
MAIA.
I must confess that in this our humility, our corporeal
degradation, instead of feeling crushed, I am curiously conscious
of a wider range of sensibility. Perhaps that is the soul? Perhaps,
in the suppression of our immortality, something metallic,
something hermetical, has been broken down, and already we stand
more easily exposed to the influences of the spirit?
CHLORIS.
In that case, to slough the sheaths of the body, one by one, ought
to be to come nearer to the final freedom, and the last coronation
and consecration of existence may prove to be this very "death" we
dread so much.
PERSEPHONE.
I can fancy that such conjectures as these may prove to be one of
the chief sources of satisfaction in this new mortality of ours:
the variegated play of light and shadow thrown upon it. Well, the
less we know and see, the more exciting it ought to be to guess
and to peer.
MAIA.
Public-domain text, read in full here on John Shaqi.
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