But I and my chimney must explain; and as we are both rather obese, we may have to expatiate. In those houses which are strictly double houses—that is, where the hall is in the middle—the fireplaces usually are on opposite sides; so that while one member of the household is warming himself at a fire built into a recess of the north wall, say another member, the former’s own brother, perhaps, may be holding his feet to the blaze before a hearth in the south wall—the two thus fairly sitting back to back. Is this well? Be it put to any man who has a proper fraternal feeling. Has it not a sort of sulky appearance? But very probably this style of chimney building originated with some architect afflicted with a quarrelsome family. Then again, almost every modern fireplace has its separate flue—separate throughout, from hearth to chimney-top. At least such an arrangement is deemed desirable. Does not this look egotistical, selfish? But still more, all these separate flues, instead of having independent masonry establishments of their own, or instead of being grouped together in one federal stock in the middle of the house—instead of this, I say, each flue is surreptitiously honey-combed into the walls; so that these last are here and there, or indeed almost anywhere, treacherously hollow, and, in consequence, more or less weak. Of course, the main reason of this style of chimney building is to economize room. In cities, where lots are sold by the inch, small space is to spare for a chimney constructed on magnanimous principles; and, as with most thin men, who are generally tall, so with such houses, what is lacking in breadth, must be made up in height. This remark holds true even with regard to many very stylish abodes, built by the most stylish of gentlemen. And yet, when that stylish gentleman, Louis le Grand of France, would build a palace for his lady, friend, Madame de Maintenon, he built it but one story high—in fact in the cottage style. But then, how uncommonly quadrangular, spacious, and broad—horizontal acres, not vertical ones. Such is the palace, which, in all its one-storied magnificence of Languedoc marble, in the garden of Versailles, still remains to this day. Any man can buy a square foot of land and plant a liberty-pole on it; but it takes a king to set apart whole acres for a grand Trianon.