"I'll Leave It To You": A Light Comedy In Three ActsCoward, Noël
General
"I'll Leave It To You": A Light Comedy In Three Acts
Coward, Noël
Comedy plays; Inheritance and succession -- Drama
The action of the play takes place in MULBERRY MANOR, MRS. DERMOTT'S
house, a few miles out of London.
Eighteen months elapse between acts one and two, and one night between
acts two and three.
"I'LL LEAVE IT TO YOU"
_A plan of the stage of the New Theatre, London, set for the play is
given at the end of the book._
SCENE.--_The Hall of Mulberry Manor. All the furniture looks very
comfortable. Through the window can be seen a glimpse of a snowy garden;
there is a log fire. The light is a little dim, being late afternoon.
Seated on the table swinging her legs is_ JOYCE, _she is attired in a
fur coat and goloshes, very little else can be seen, except a pink
healthy looking young face._ SYLVIA _is seated on the Chesterfield_ R.
_She is twenty-one and exceedingly pretty. It is about five days before
Christmas._
JOYCE (_brightly_). My feet are simply soaking.
SYLVIA (_sewing_). Why on earth don't you go and change them? You'll
catch cold.
(BOBBIE _enters_ R. _He is a slim, bright-looking youth of twenty._)
JOYCE. I don't mind if I do. (_Laughs._) Colds are fun.
BOBBIE. She loves having a fuss made of her, beef tea--chicken--jelly
with whipped cream--and fires in her bedroom, little Sybarite.
JOYCE. So do you.
BOBBIE (_comes_ C.). No, I don't; whenever my various ailments confine
me to my bed, I chafe--positively chafe at the terrible inactivity. I
want to be up and about, shooting, riding, cricket, football, judo, the
usual run of manly sports.
SYLVIA. Knowing you for what you are--lazy, luxurious----
BOBBIE (_pained_). Please, please, please, not in front of the child.
(JOYCE _kicks_). It's demoralizing for her to hear her idolized brother
held up to ridicule.
JOYCE. You're not my idolized brother at all--Oliver is. (_Turning away,
pouting._)
BOBBIE (_seated_ R. _on Chesterfield, sweetly_). If that were really so,
dear, I know you have much too kind a heart to let me know it.
SYLVIA. What is the matter with you this afternoon, Bobbie--you are very
up in the air about something.
(JOYCE _takes her coat off, puts on back of chair_ R. _of table_).
BOBBIE (_rising and sitting on club fender_). Merely another instance of
the triumph of mind over matter; in this case a long and healthy walk
was the matter. I went into the lobby to put on my snow boots and
then--as is usually the case with me--my mind won. I thought of tea,
crumpets and comfort. Oliver has gone without me, he simply bursts with
health and extraordinary dullness. Personally I shall continue to be
delicate and interesting.
SYLVIA (_seriously_). You may _have_ to work, Bobbie.
BOBBIE. Really, Sylvia, you do say the most awful things, remember Joyce
is only a school-girl, she'll be quite shocked.
JOYCE. We work jolly hard at school, anyhow.
BOBBIE. Oh, no, you don't. I've read the modern novelists, and I _know_;
all you do is walk about with arms entwined, and write poems of tigerish
adoration to your mistresses. It's a beautiful existence.
Public-domain text, read in full here on John Shaqi.
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