"I'll Leave It To You": A Light Comedy In Three Acts — John Shaqi
"I'll Leave It To You": A Light Comedy In Three ActsCoward, Noël
General
"I'll Leave It To You": A Light Comedy In Three Acts
Coward, Noël
Comedy plays; Inheritance and succession -- Drama
OLIVER. Righto--you'll remember what I said, won't you, Uncle? Cheerio.
(_Exit_ OLIVER, R.)
UNCLE. Cheerio. What? Oh, yes, yes. (_after_ OLIVER _has gone._)
EVANGELINE (_goes to him_). Now, look here--about that will of yours--I
don't feel that it's quite fair to the others to----
(_Enter_ MRS. CROMBIE _from garden._)
MRS. CROMBIE. Oh, there you are, Mr. Davis--I've been wanting to have a
little talk to you about South America. I had a brother out there, you
know. (_Behind chair_ R.C.)
DANIEL (_rising, jovially_). Splendid--let's talk about him for hours.
EVANGELINE (_a little annoyed_). I'll come back later, uncle. (_Moves to
stairs._)
MRS. CROMBIE. I hope I'm not interrupting a heart-to-heart talk between
uncle and niece.
DANIEL. Not at all, not at all--it's a pleasure, I assure you.
EVANGELINE (_on stairs_). It doesn't matter a bit. Uncle Daniel is going
to stay with us a long time, I hope.
(_Exit upstairs._)
MRS. CROMBIE (_settling herself in arm-chair_). Splendid--have you such
a thing as a cigarette?
DANIEL. A cigarette, yes, certainly.
MRS. CROMBIE. And a match.
DANIEL. And a match.
(_He hands her a case, she takes one, goes to mantel for matches--then
he strikes a match and lights it._)
MRS. CROMBIE (_girlishly_). Now we can be quite comfortable, can't we?
DANIEL. Quite. (_Sits on Chesterfield._)
MRS. CROMBIE. As I was saying just now, I had a brother out in South
America.
DANIEL. What part?
MRS. CROMBIE. I'm not quite sure--we don't hear from him much--he was
sent out there for--for----
DANIEL. I quite understand.
MRS. CROMBIE. For his health.
DANIEL. I know, they all are. It's a wonderful climate.
MRS. CROMBIE. He hasn't written for ages and ages--we were wondering if
he was making money or not--it seems so far away, anything may be
happening to him.
DANIEL. In all probability everything is----SPACELEFT(_laughs to
himself_).
MRS. CROMBIE. Did you have any thrilling adventures when you were making
your pile?
DANIEL. Oh yes, heaps and heaps.
MRS. CROMBIE. I gather that you have a mine of some sort?
DANIEL. Yes--just near the Grand Stand.
MRS. CROMBIE. The what?
DANIEL. The Grand Slam.
MRS. CROMBIE. Slam!
DANIEL. It's the name of a mountain, you know.
MRS. CROMBIE. What a strange name! Why do they call it that?
DANIEL. I can't imagine. It's often been a source of great perplexity to
me.
MRS. CROMBIE. I take it that yours is a gold mine.
DANIEL. Not so that you'd notice it.
MRS. CROMBIE. I beg your pardon?
DANIEL. Well, I mean--it's not especially a gold mine--it's a mixed
mine--a little bit of everything--there's tin and silver and salt and
copper and brass, and God knows what--it's most exciting wondering what
we are going to find next.
MRS. CROMBIE. Yes, so I should imagine....
DANIEL. Often on weary, dark nights--filled with the cries of the jackal
and the boa-constrictor.
MRS. CROMBIE. I didn't know boa-constrictors cried.
Public-domain text, read in full here on John Shaqi.
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