I, Mary MacLane: A Diary of Human DaysMacLane, Mary
General
I, Mary MacLane: A Diary of Human Days
MacLane, Mary
MacLane, Mary, 1881-1929; Montana -- Biography; Women authors, American -- Biography
--The quaintest character I have met with in fiction is Huckleberry
Finn’s father, looked at as a father. Next in quaintness I place
Sally Brass, regarded as a human being.
--I like a glass of very hot water and a dish of preserved damson
plums on a sultry August day: and another of each on top of that: and
another of each on top of that.
--I like the word addle: I hate the word redress. I would fain have
my ‘wrongs’ ever addled than redressed: merely for the word prejudice.
--I would rather that almost any physical disaster should befall me
than that I ever achieve an ‘abdomen.’ When an abdomen comes in at
the door life’s romances fly fast out the windows: so it looks to me.
May death overtake me haply before the menopause.
--The pictures I have crowded on a small side-wall space two feet
from my eyes as I sit at my desk are: Theda Bara as Carmen: the
late Queen Isabella of Spain: Marie Lloyd, loved of the London
populace: a velvety-looking black-and-orange print of a leopard:
Blanche Sweet, loveliest of film actors: John Keats, a small old
print: Ethel Barrymore, a pencil drawing made by herself: Nell Gwyn,
a photograph of a Lely portrait: Watts’s ‘Hope’: Stanley Ketchel,
dead middle-weight fighter: ‘Jane Eyre’ by a Polish artist: Fanny
Brawn, the solitary extant silhouette print: Ty Cobb: two children:
Charlotte Corday in the Prison de l’Abbaye: Susan B. Anthony: a
Chinese lady: Andrea del Sarto: Queen Boadicea: and Christy Mathewson.
--I am old-fashioned in many of my tastes--in all my reading and
writing tastes. I do not like typewriters: they make fingertips
callous in a poor cause. And I do not like fountain-pens which
someway seem suitable only for business-letters, forgeries,
bookkeeping and crude cursory love-letters. I like a steel pen
in a fat glossy green enameled wood penholder with a thick
pleasant-feeling rubber sheath at the lower end.
--I wear to-day a modest frock of black silk: beneath it a light silk
petticoat: beneath that a white pussy-willow silk ‘envelope’ and a
pale narrow pink silk shirt chastened by many launderings: no stays:
thick white silk stockings gartered above my knees by circles of mild
mauve elastic: on my feet cross-ribboned bright-buckled black shoes:
round my neck a jet necklace:--all of it a costume that might be of a
conventional woman, a plain-living woman, a good woman, a well-bred
woman--saving only that beneath my left shoulder-blade the smooth
new pussy-willow silk has a jagged two-inch rent where it caught on
a drawer-handle: and the rent--in lieu of neatly mending it with
the thread and needle of woman’s custom--I caught up any way by its
jagged edges and tied tight in a hard vicious heathen knot: the note
of spiritual fornication, of Mary-Mac-Laneness: always there’s some
involuntary pagan touch to undo me, to arraign me, to betray me to
God and to myself.
--I wear five-and-a-half A-last shoes: number twenty-one snug
whalebone stays: and weigh a hundred-twenty-four pounds.
Public-domain text, read in full here on John Shaqi.
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