London (England) -- Fiction; Satire; Suffragists -- Fiction
Now the suffragette, though she was distrustful of the reasoning of men,
seldom failed to see the point of view of a woman, even though that
woman was an anti. She specialised in feminism, and in her eyes to be a
woman was in itself a good argument.
“Of course I ought to have told you, Miss Brown,” she said in a warmer
voice than was usual with her. “As a matter of fact it never occurred to
me that the thing was worth telling, but that, I admit, is no excuse. I
do see that I have been accepting your kindness under false pretences.
It is perhaps useless to say I am sorry, and worse than useless to tell
you that I would rather die than be married, and that I would rather be
hanged than live unmarried with a man. Still I admit I allowed all the
fools on the _Caribbeania_ to think I was also such a fool as to be
married. I will not bother you again, Miss Brown, I will keep out of
your way as much as possible on the boat. It’s only a fortnight.”
Miss Brown was mollified, and when she spoke again it was like the angel
Gabriel sympathising with the difficulties of a beetle. “Of course if
you are penitent,” she said, “I should like to help you to retrace as
far as possible the false step you have taken. I believe there are
Homes.... But perhaps you had better not come near Albert.”
The little boat was indulging in a two days’ rest at the Isthmus. It is
a problem worthy of the superwoman to avoid a fellow-passenger on a
small boat in port. The bearable space on board becomes limited to
inches. The side nearest the quay affords nothing but coal-dust to
breathe, the other side allows a small percentage of air to dilute the
coal-dust. There is no scope for choice.
After-dinner, however, Miss Brown settled down to play chess with
Albert. Chess with Miss Brown is a most satisfactory game, a crescendo
of “Checks” leading to a triumphant “Mate” in a delightfully short time.
So the suffragette went on shore to listen to the band.
The Isthmus band is as gaudy in attire as it is sombre in complexion,
and it plays to a stratum of society as striking to the eye as any in
the world. The Isthmus is the centre of nigger fashion. Here, under the
glare and the flare of a hot night in the season, you may see the effect
of a layer of civilisation on an aboriginal worship of colour. Crimson,
gold, and silver are the prevailing motifs. As to the coiffure of the
ladies, for every plait to be found on a Trinity Island head there are
half a dozen on the Isthmus. There is something uniquely wicked in the
appearance of rouge and powder on a mahogany ground. The look of vice
which the Parisian or London lady strives to attain by means of a
shopful of cosmetics can be acquired by the lady-nigger with one dab of
the flour-dredger. Once more I pause to ask when we may expect the
decree that we must further conceal our incurable virtue by means of a
complexion dyed copper colour.
Public-domain text, read in full here on John Shaqi.
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