She replied, “Bless you, kid. Run ’ome to mammy, do.” Her voice sounded like the scent she wore. It had a hard tone which somehow brought the solitary threepence to mind. The gardener returned at great speed to Penny Street. It was lunch-time at Number Twenty-one. The eternal hash approached its daily martyrdom. Hash is a worthy thing, but it reminds you that you are not at the Ritz. There is nothing worse calculated to make you forget a lonely threepenny bit in your pocket. The gardener had a hundred a year. He was apparently the only person in London with a hundred a year, for wherever he went he always found himself the wealthiest person present. His friends gave his natural generosity a free rein. After various experiments in social economy, he found it cheapest to rid himself of the hundred a year immediately on its quarterly appearance, and live on his expectations for the rest of the time. There are drawbacks about this plan, as well as many advantages. But the gardener was a pillar, and he found it easier to support the world than to support himself. It was on this occasion that his neighbour at luncheon, unaware of his pillar-hood, asked him what he was doing for a living. “Living,” replied the gardener. He was not absolutely sure that it made sense, but it sounded epigrammatic. He was, in some lights, a shameless prig. But then one often is, if one thinks, at twenty-three. “It’s all living,” he continued to his neighbour. “It’s all life. Being out of a job is life. Being kicked is life. Starving’s life. Dying’s life.” The neighbour did not reply because he was busy eating. One had to keep one’s attention fixed on the food problem at 21 Penny Street. There was no time for epigrams. It was a case of the survival of the most silent. The gardener was very thin. The girl Courtesy, however, was one who could do two things at once. She could support life and impart information at the same time. “I do believe you talk for the sake of talking,” she said; and it was true. “How can dying be living?” It is most annoying to have the cold light of feminine logic turned on to an impromptu epigram. The gardener pushed the parsnips towards her as a hint that she was talking too much. But Courtesy had the sort of eye that sees no subtlety in parsnips. Her understanding was of the black and white type. “Death is the door to life,” remarked Miss Shakespeare, nailing down the golden opportunity with eagerness. 21 Penny Street very rarely gave Miss Shakespeare the satisfaction of such an opening. There was, however, a lamentable lack of response. The subject, which had been upheld contrary to the laws of gravitation, fell heavily to earth. “Is this your threepenny bit or mine?” asked the girl Courtesy. For that potent symbol, the victim of its owner’s absence of mind, in the course of violent exercise between the gardener’s plate and hers, had fallen into her lap.