Spy stories; Washington (D.C.) -- Fiction; World War, 1914-1918 -- Fiction
Paying no attention to her husband's apparent desire to say something
more, Mrs. Whitney stepped into the hall. Whitney stood in deep thought
for a brief moment, then hastened after her, but his hope to slip
upstairs unseen was frustrated. Miss Kiametia Grey, enveloped in a heavy
fur coat, promptly hailed him and as he stood chatting to her in the hall
the front door again opened and Henry, the chauffeur, who had been
requisitioned to assist Vincent, ushered in Sinclair Spencer.
"Good evening, Mrs. Whitney," Spencer's loud cheery voice boomed through
the hall, and under cover of his jovial manner he scanned Whitney and his
wife. Had Kathleen spoken to them of his proposal of marriage that
morning and her refusal? "Just dropped in to see your husband, Mrs.
Whitney; hadn't hoped for the pleasure of seeing you. Hello, Whitney.
Evening, Miss Grey." But the spinster, with a stiff bow, slipped past the
lawyer and into the reception room without seeing his outstretched hand.
Spencer's florid complexion turned a deeper tint as he met Henry's blank
stare, but a covert glance at the Whitneys convinced him that they had
not seen Miss Kiametia's rudeness.
"Do take Mr. Spencer upstairs, Winslow," suggested Mrs. Whitney, as the
chauffeur opened the door to admit more guests. "I have a meeting of my
club tonight, Mr. Spencer, and therefore..."
"Certainly, certainly; please don't let my presence put you out," with a
courteous bow. "Come on, Whitney, let's go up to your studio," and he
followed his host into the elevator.
Whitney stopped the car at the first bedroom floor. "We will be far
more comfortable in my wife's boudoir than in my studio," he said. "Go
ahead, Spencer, first door to your right. I'll stop in my bedroom and
get some cigars."
Glancing curiously about the large attractive hall, Spencer entered the
daintily furnished boudoir, and was examining the many water colors and
photographs which hung on the walls, when Whitney came in carrying a
cigar box and a tray containing Scotch and vichy.
"That's some of Kathleen's work," he explained, observing that the
lawyer had picked up a miniature of Mrs. Whitney. "She is clever with
her brush."
"Very clever," agreed Spencer enthusiastically. "There is no one,
Whitney, whom I admire as I do your daughter," drawing a lounging
chair near the table on which his host put the tray. "Why does
Kathleen avoid me?"
"Does she?"
"She does," with bitter emphasis. "And it cuts--deep."
"You are supersensitive," protested Whitney politely. "I do not for a
moment believe Kathleen would intentionally hurt your feelings."
Spencer did not answer at once, and chafing inwardly at being kept from
his work in the studio, Whitney glared first at his guest and then at the
clock, but the hint was lost.
Public-domain text, read in full here on John Shaqi.
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